{"title":"The Reluctant Wife: Ginnen Upan Seethala and Gendering Revolution","authors":"Kanchanakesi Warnapala","doi":"10.21827/ejlw.10.37916","DOIUrl":null,"url":null,"abstract":"This paper sets out to examine the politics of representation of the biographical film, Ginnen Upan Seethala (2018), which focuses on the life and times of Rohana Wijeweera, a rebel leader who led two failed insurrections in post-independence Sri Lanka. It argues that while the film seemingly exonerates the leader and the movement, through a discourse of domesticity, it simultaneously engages in a nuanced representation of Chithrangani Wijeweera, the wife of Rohana Wijeweera, a woman who has been positioned at the margins of the masculinized historical record of the JVP party. While such records have largely ignored testimony in which Chithrangani constructs herself as a reluctant wife who is subordinated to the dominant ideology of the party and its leader, the film provides her a more expansive and empathetic role and thereby bears witness to her tale of victimhood and survival, unraveling how patriarchal political conquest coopts women as strategic sites of political domination.","PeriodicalId":106040,"journal":{"name":"European Journal of Life Writing","volume":"19 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-09-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"European Journal of Life Writing","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.21827/ejlw.10.37916","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
This paper sets out to examine the politics of representation of the biographical film, Ginnen Upan Seethala (2018), which focuses on the life and times of Rohana Wijeweera, a rebel leader who led two failed insurrections in post-independence Sri Lanka. It argues that while the film seemingly exonerates the leader and the movement, through a discourse of domesticity, it simultaneously engages in a nuanced representation of Chithrangani Wijeweera, the wife of Rohana Wijeweera, a woman who has been positioned at the margins of the masculinized historical record of the JVP party. While such records have largely ignored testimony in which Chithrangani constructs herself as a reluctant wife who is subordinated to the dominant ideology of the party and its leader, the film provides her a more expansive and empathetic role and thereby bears witness to her tale of victimhood and survival, unraveling how patriarchal political conquest coopts women as strategic sites of political domination.