Henry Hobson Richardson

J. Ochsner
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Abstract

Henry Hobson Richardson (b. 1838–d. 1886) is considered one of the most important American architects the 19th century. His achievements were celebrated during his lifetime and publications addressing his life and work have appeared almost continuously since his death. The second American architect to attend the Ecole des Beaux Arts, his early designs show the influence of the contemporary Gothic Revival and Second Empire styles, but about 1870, he began moving in an independent direction creating a free interpretation of Romanesque precedents. Trinity Church, Boston, a Romanesque Revival design completed in 1877, brought Richardson national recognition and shaped his career as it led him to move from New York to Brookline, a suburb of Boston. Although most of his work is in New England and New York, as his fame grew he received commissions in Washington, Pittsburgh, Cincinnati, Chicago, St. Louis, and Wyoming. In his later projects he often reduced historical references, emphasized the qualities of materials, and moved toward simplification of form, to produce masterpieces such as the Allegheny County Courthouse and Jail in Pittsburg and the Marshall Field Wholesale Store in Chicago. His projects also included emerging building types such as small railroad passenger stations and free public libraries. His country houses catalyzed the development of the shingle style. Richardson was not a solitary genius. He was personally engaging with a wide circle of friends and clients. In his last years, his office grew to a staff of approximately twenty. Following his early death, his leading apprentices continued the practice as Shepley, Rutan and Coolidge. Richardson’s contemporaries understood his achievement in different ways, so his influence led in multiple directions. Unlike other leading architects, Richardson rarely wrote about his intentions, so scholars have presented his work through varying interpretive frameworks.
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亨利·霍布森·理查森
亨利·霍布森·理查森(1838 - 1838)1886年)被认为是19世纪最重要的美国建筑师之一。他的成就在他的一生中受到庆祝,自他去世以来,有关他的生活和工作的出版物几乎不断出现。他是第二位就读于巴黎美术学院的美国建筑师,他的早期设计受到了当代哥特复兴和第二帝国风格的影响,但在1870年左右,他开始走向独立的方向,创造了对罗马式先例的自由诠释。1877年完工的波士顿三一教堂(Trinity Church)是一座罗马式复兴风格的建筑,它为理查森带来了全国的认可,并塑造了他的职业生涯,使他从纽约搬到了波士顿郊区的布鲁克林(Brookline)。虽然他的大部分作品都是在新英格兰和纽约完成的,但随着他的名气越来越大,他在华盛顿、匹兹堡、辛辛那提、芝加哥、圣路易斯和怀俄明州都收到了委托。在他后期的项目中,他经常减少历史参考,强调材料的质量,并走向形式的简化,创作出诸如匹兹堡的阿勒格尼县法院和监狱以及芝加哥的马歇尔菲尔德批发商店等杰作。他的项目还包括小型铁路客运站和免费公共图书馆等新兴建筑类型。他的乡村住宅促进了瓦式建筑风格的发展。理查森并不是一个孤独的天才。他个人交往的朋友和客户圈子很广。在他的最后几年里,他的办公室的员工增加到大约20人。在他英年早逝后,他的主要徒弟以谢普利、鲁坦和柯立芝的名字继续练习。理查森的同时代人对他的成就有不同的理解,所以他的影响是多方面的。与其他主要建筑师不同,理查森很少写他的意图,所以学者们通过不同的解释框架来介绍他的作品。
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