Race, Aesthetics, and Shelter: Toward a Postcolonial Historical Taxonomy of Buildings

IF 1 2区 艺术学 0 ART JOURNAL OF AESTHETICS AND ART CRITICISM Pub Date : 2019-10-30 DOI:10.1111/jaac.12671
IVAN GASKELL
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引用次数: 1

Abstract

This article proposes that one source of deep-rooted prejudices among peoples derives from their fundamental lifeways respectively as settled or peripatetic. Although the advantage in the present is clearly with settled, notably urban, peoples, that is no reason either to project an attitude of superiority into consideration of the past or to assume inherent superiority in the present. Building types characterize these fundamentally different lifeways, and settled peoples unthinkingly assume the superiority not only of their own building types but of a small subset thereof conceived as architecture, conceived as the work, principally, of the mind rather than the hand. This article proposes a fundamental historical taxonomy on grounds of function—the provision of shelter—of buildings of all types employed by both settled and peripatetic peoples, from tents to temples. Although the antagonism between settled and peripatetic peoples, based on different conceptions of the land, rests on their fundamental differences in lifeways, including building practices, those differences are often entangled with racial considerations.

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种族、美学和庇护所:走向后殖民时期建筑的历史分类
这篇文章提出,人们之间根深蒂固的偏见的一个来源来自于他们的基本生活方式,分别是定居的或漂泊的。虽然目前的优势显然是属于定居的,特别是城市的人,但没有理由把优越的态度投射到过去的考虑中,也没有理由认为现在是天生的优越。建筑类型是这些根本不同的生活方式的特征,定居下来的人们不假思索地认为,不仅他们自己的建筑类型优越,而且其中一小部分被认为是建筑的优势,被认为是脑力而不是手的杰作。这篇文章提出了一个基本的历史分类,基于功能-提供庇护-所有类型的建筑,无论是定居的还是流动的人,从帐篷到寺庙。虽然定居民族和流徙民族之间基于对土地的不同概念而产生的对立是基于他们在生活方式,包括建筑习惯方面的根本差异,但这些差异往往与种族考虑交织在一起。
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来源期刊
CiteScore
1.50
自引率
25.00%
发文量
54
期刊介绍: The Journal of Aesthetics and Art Criticism publishes current research articles, symposia, special issues, and timely book reviews in aesthetics and the arts. The term aesthetics, in this connection, is understood to include all studies of the arts and related types of experience from a philosophic, scientific, or other theoretical standpoint. The arts are taken to include not only the traditional forms such as music, literature, landscape architecture, dance, painting, architecture, sculpture, and other visual arts, but also more recent additions such as photography, film, earthworks, performance and conceptual art, the crafts and decorative arts, contemporary digital innovations, and other cultural practices, including work and activities in the field of popular culture.
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