Ancestral Forces in Contemporary Indigenous Australian Women's Art: 3 Case Studies of Multi-dimensional Cultural Heritage Knowledge

Jenefer Marquis, T. Wyeld
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Abstract

The transition from ephemeral, ceremonial art to more permanent acrylic-on-board paintings has made Australian Aboriginal art more accessible to the public than ever before. However, early examples contained secret/sacred motifs and stories - knowledge recorded in the paintings that was normally only made available to initiates. In turn, this prompted contemporary Australian Aboriginal artists to hide, camouflage or remove the sensitive material from their work. It is only recently, through inter-gender and inter-cultural collaborations between contemporary Indigenous Australian artists and non-indigenous ethnographers and anthropologists, that the full ramifications of this transition is becoming apparent. This paper discusses 3 case studies where the traditional expression of Kuruwarri, or Ancestral power, has been transformed through contemporary Australian Aboriginal women’s art.
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当代澳大利亚土著妇女艺术中的祖先力量:多维文化遗产知识的3个案例研究
从短暂的仪式艺术到更永久的亚克力板绘画的转变,使澳大利亚土著艺术比以往任何时候都更容易被公众所接受。然而,早期的例子包含了秘密/神圣的主题和故事-记录在绘画中的知识通常只提供给初学者。反过来,这促使当代澳大利亚土著艺术家隐藏、伪装或从他们的作品中删除敏感材料。直到最近,通过当代澳大利亚土著艺术家与非土著人种学家和人类学家之间的跨性别和跨文化合作,这种转变的全部后果才变得明显。本文讨论了三个案例研究,通过当代澳大利亚土著妇女的艺术,传统的Kuruwarri或祖先的力量的表达被改变了。
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