Cyborg Jotería Pedagogies: Latinx Drag Queens Leveraging Communication Ecologies in the Age of the Digital and Social Displacement

J. Lizárraga, Arturo Cortez
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引用次数: 6

Abstract

Researchers and practitioners have much to learn from drag queens, specifically Latinx queens, as they leverage everyday queerness and brownness in ways that contribute to pedagogy locally and globally, individually and collectively. Drawing on previous work examining the digital queer gestures of drag queen educators (Lizarraga & Cortez, 2019), this essay explores how non-dominant people that exist and fluctuate in the in-between of boundaries of gender, race, sexuality, the physical, and the virtual provide pedagogical overtures for imagining and organizing for new possible futures that are equitable and just. Further animated by Donna Haraway’s (2006) influential feminist post-humanist work, we interrogate how Latinx drag queens as cyborgs use digital technologies to enhance their craft and engage in powerful pedagogical moves. This essay draws from robust analyses of the digital presence of and interviews with two Latinx drag queens in the San Francisco Bay Area, as well as the online presence of a Xicanx doggie drag queen named RuPawl. Our participants actively drew on their liminality to provoke and mobilize communities around socio-political issues. In this regard, we see them engaging in transformative public cyborg joteria pedagogies that are made visible and historicized in the digital and physical world.
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Cyborg Jotería教学法:拉丁变装皇后在数字和社会位移时代利用通信生态
研究人员和实践者可以从变装皇后,特别是拉丁裔皇后身上学到很多东西,因为她们利用日常的酷儿和棕色皮肤,以个人和集体的方式为当地和全球的教育学做出贡献。借鉴之前研究变异性皇后教育者的数字酷儿姿态的工作(Lizarraga & Cortez, 2019),本文探讨了在性别、种族、性、身体和虚拟边界之间存在和波动的非主导人群如何为想象和组织新的公平和公正的可能未来提供教学建议。唐娜·哈拉威(Donna Haraway, 2006)颇具影响力的女权主义后人文主义作品进一步激发了我们的灵感,我们探讨了拉丁变装皇后作为半机械人是如何使用数字技术来提高他们的技艺和参与强大的教学动作的。本文通过对旧金山湾区两位拉丁裔变装皇后的数字形象和采访,以及一位名叫RuPawl的西坎狗变装皇后的在线形象进行了强有力的分析。我们的参与者积极地利用他们的阈限来激发和动员社区围绕社会政治问题。在这方面,我们看到他们参与了变革性的公共电子教科书教学,这些教学在数字和物理世界中变得可见和历史化。
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