MEMORIES FROM PARIS: THREE PILGRIMAGES OF SERBIAN ARTISTS IN THE 1930s.

A. Milošević
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Abstract

The aim of this paper is to reveal  some of the not so well known aspects about studying in Paris of the Serbian painters Ljubomir Ivanović, Mihailo S. Petrov and Svetolik Lukić during the 1930s. A large number of painters travelled to Paris to learn about the contemporary trends in art, museums and galleries. Serbian/Yugoslav painters formed small colonies in Montparnase and Malakoffand, and they were actively involved in the bohemian art life.Those who could not afford to study or to live in Paris would go there for short “intensive” study trips that resembled pilgrimages. For a relatively short time they had to see all the wonders, visit the sites, absorb the atmosphere, history and culture of the French capital and to take home the impressions in their drawings and paintings. Ljubomir Ivanović, Mihailo S. Petrov and Svetolik Lukić among many faces of Paris chose to represent the identity of the city and their own identity.
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巴黎的回忆:1930年代塞尔维亚艺术家的三个朝圣之旅。
本文的目的是揭示一些不太为人所知的方面在巴黎学习的塞尔维亚画家Ljubomir ivanoviki, Mihailo S. Petrov和Svetolik lukiki在20世纪30年代。大批画家前往巴黎,了解当代艺术、博物馆和画廊的发展趋势。塞尔维亚/南斯拉夫画家在蒙帕纳斯和马拉科夫德形成了小殖民地,他们积极参与波西米亚艺术生活。那些无法在巴黎学习或生活的人会去那里进行类似朝圣的短期“密集”学习之旅。在相对较短的时间内,他们必须参观所有的奇观,参观景点,感受法国首都的氛围、历史和文化,并把他们的素描和油画印象带回家。Ljubomir ivanovivic, Mihailo S. Petrov和Svetolik lukiki在巴黎的许多面孔中选择代表城市的身份和他们自己的身份。
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