‘The Great Scene That Never Happened’ – A Screenwriter’s Techniques of Blending Fact and Fiction in Creating a Compelling Character Arc in Biopics

Maria Hinterkörner
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Abstract

The biopic as a genre treads a thin line between fact and fiction. Using the theory and methods of visual storytelling and screenwriting, I will lay open the thought process and the tools of the craft that are employed to create a character arc using historical facts and figures for a movie that will resonate with a modern audience. I will also show how I tried to incorporate the producers’ expectations regarding the subject matter. I illustrate my process and techniques using my most recent screenplay Ushba, which narrates the unsuccessful climb of the eponymous Georgian mountain by a group of Austrian mountaineers, among them a young woman called Cenzi von Ficker.
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“从未发生过的伟大场景”——一位编剧在传记电影中创造引人注目的人物弧线时融合事实和虚构的技巧
传记片作为一种类型,游走在事实与虚构之间。使用视觉叙事和剧本写作的理论和方法,我将打开思维过程和工艺工具,使用历史事实和人物为电影创造一个角色弧线,将与现代观众产生共鸣。我还将展示我如何尝试将制作人对主题的期望结合起来。我用我最近的剧本《乌什巴》来说明我的过程和技巧,它讲述了一群奥地利登山者攀登格鲁吉亚同名山峰的失败,其中有一位名叫岑兹·冯·菲克的年轻女子。
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