A Study on Calligraphy of Haseo(河西) Kim-In-hoo(金麟厚)

Ji-bok Yoo
{"title":"A Study on Calligraphy of Haseo(河西) Kim-In-hoo(金麟厚)","authors":"Ji-bok Yoo","doi":"10.19077/tsoc.2022.41.03","DOIUrl":null,"url":null,"abstract":"Kim-In-hoo wrote the introduction to the Collected Poetry by the Sages of the 1519 Purge. He showed that calligraphy could be a medium for realizing the \"Tao\" just as the \"Writing\" was a means of expressing the \"Tao\". He wrote a \"Boating Song of the Nine Bends at Wuyi\" by Zhu Xi and wrote an explanation of the poem to his sons-in-law Cho Hee-moon and Yang Ja-jing. The shape of this character is based on the Regular Script of Wang Xizhi, but it is unique that Ahn Jinkyung's style of writing is added. \nKim's cursive script is typical of his calligraphy. His cursive script strongly reflects the influence of Zhang Bi, which is close to the wild cursive script. Kim placed importance on the spirit that appears in the handwriting. His vigorous appearance in cursive script express his deviant spirit through cursive script. \nJo Hui invited Kim In-hoo, Jeong Sa-ryong, and Shin-jam to his pavilion. At that time, one or two people wrote seven poems for them, which is very sensuous. It has not been revealed so far who wrote it, but it was confirmed that it was a cursive script by Kim. This work remains the only cursive script handwritten by him. Therefore, along with \"Thousand-Character Classic in Cursive Style\" it is valuable as a representative handwriting of Kim's cursive script.","PeriodicalId":103412,"journal":{"name":"The Korean Society of Calligraphy","volume":"233 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Korean Society of Calligraphy","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.19077/tsoc.2022.41.03","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

Abstract

Kim-In-hoo wrote the introduction to the Collected Poetry by the Sages of the 1519 Purge. He showed that calligraphy could be a medium for realizing the "Tao" just as the "Writing" was a means of expressing the "Tao". He wrote a "Boating Song of the Nine Bends at Wuyi" by Zhu Xi and wrote an explanation of the poem to his sons-in-law Cho Hee-moon and Yang Ja-jing. The shape of this character is based on the Regular Script of Wang Xizhi, but it is unique that Ahn Jinkyung's style of writing is added. Kim's cursive script is typical of his calligraphy. His cursive script strongly reflects the influence of Zhang Bi, which is close to the wild cursive script. Kim placed importance on the spirit that appears in the handwriting. His vigorous appearance in cursive script express his deviant spirit through cursive script. Jo Hui invited Kim In-hoo, Jeong Sa-ryong, and Shin-jam to his pavilion. At that time, one or two people wrote seven poems for them, which is very sensuous. It has not been revealed so far who wrote it, but it was confirmed that it was a cursive script by Kim. This work remains the only cursive script handwritten by him. Therefore, along with "Thousand-Character Classic in Cursive Style" it is valuable as a representative handwriting of Kim's cursive script.
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
A Study on Calligraphy of Haseo(河西) Kim-In-hoo(金麟厚)
金仁厚写了《1519年肃清圣贤诗集》的引言。他表明,书法可以是实现“道”的媒介,正如“文字”是表达“道”的手段一样。他写了朱熹的《武夷九曲舟歌》,并给他的女婿赵熙文和杨家静写了解释。这个字的形状是以王羲之的楷书为基础,但加入了安敬敬的笔迹,这是独一无二的。金氏的草书是典型的书法。他的草书强烈地反映了张弼的影响,接近于野草书。金委员长非常重视书写的精神。他草书中粗犷的外表,通过草书表达了他的离经叛道精神。赵辉邀请金仁厚、郑思龙、辛贾姆到他的亭子里。当时,有一两个人为他们写了七首诗,这是非常感性的。虽然还不知道是谁写的,但可以确定是金氏的草书。这是他唯一的草书。因此,它与《草书千字经》一起,作为金氏草书的代表笔迹,具有很高的价值。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 去求助
来源期刊
自引率
0.00%
发文量
0
期刊最新文献
A Study on the Formative Characteristics of the written by Sojeon Son Jaehyeong Pros and Cons and Reflections on the Construction of Contemporary Calligraphy Aesthetics from the Perspective of Ancient Scholars A Study on the Application and Analysis of Chinese Characters and Calligraphy in Avant-Garde Art in China 1980’s - Focusing on Gu Wenda,Wu Shanzhuan , and Xu Bing The Nature of Beauty: Focusing on the aesthetic consciousness of Taoism On Calligraphy Education in Compulsory Education Stage from the Perspective of Calligraphy Aesthetic Education
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1