{"title":"Stone Scissors Paper. A Trilogy of Papers","authors":"L. Salter, Lisen Kebbe, G. Simon","doi":"10.28963/4.1.5","DOIUrl":null,"url":null,"abstract":"This is a trilogy of papers about land and people and the ecology they create together. Leah lives on the coast in South Wales. Lisen lives on the island of Gotland in Sweden. Gail lives in Yorkshire in the north of England. What connects us and our writings is the land, its history, its place in industry and what we do and don’t see. The cuts in the land reflect the cuts in our minds, unnegotiated edits in our stories, and disconnects in political discourses. This trilogy of papers documents some of these cuts and joins. We speak about the land we walk on and the stories told about it. We point to scars in the landscape and ask how they connect with those in the lungs and on the wrist. The landscape of the present holds clues about its past and its future. And the timescapes in the writings evoke a necessity to connect time and place, human and non-human colonising and liberatory methods and live with a maddening, flickering lenticularity (Pillow, 2019).","PeriodicalId":422770,"journal":{"name":"Murmurations: Journal of Transformative Systemic Practice","volume":"16 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-12-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Murmurations: Journal of Transformative Systemic Practice","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.28963/4.1.5","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
This is a trilogy of papers about land and people and the ecology they create together. Leah lives on the coast in South Wales. Lisen lives on the island of Gotland in Sweden. Gail lives in Yorkshire in the north of England. What connects us and our writings is the land, its history, its place in industry and what we do and don’t see. The cuts in the land reflect the cuts in our minds, unnegotiated edits in our stories, and disconnects in political discourses. This trilogy of papers documents some of these cuts and joins. We speak about the land we walk on and the stories told about it. We point to scars in the landscape and ask how they connect with those in the lungs and on the wrist. The landscape of the present holds clues about its past and its future. And the timescapes in the writings evoke a necessity to connect time and place, human and non-human colonising and liberatory methods and live with a maddening, flickering lenticularity (Pillow, 2019).