Greeks and the Art of India

R. Stoneman
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Abstract

This chapter considers the influence of Greek techniques on Indian art. When European scholarship moved beyond seeing Indian sculptures as “monsters” and began to discern the historical trajectory of Indian art, many were convinced that Greek art was the mainspring that got Indian sculpture going. The chronological coincidence of Alexander's arrival in the north-west appeared to explain the sudden emergence of sculpture in the Maurya lands. James Fergusson asserted that Bactria was the origin of all Indian art. Inevitably the sculpture of Gandhara, with its pronounced Hellenistic features, was the first to catch the eye of explorers with a background in classical art. But the art of an earlier period was quick to follow.
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希腊人与印度艺术
这一章考虑了希腊技术对印度艺术的影响。当欧洲学者不再把印度雕塑视为“怪物”,而是开始观察印度艺术的历史轨迹时,许多人确信希腊艺术是推动印度雕塑发展的主要动力。亚历山大到达西北部的时间巧合似乎解释了孔雀大陆上雕塑的突然出现。James Fergusson断言巴克特里亚是所有印度艺术的起源。具有明显希腊特色的犍陀罗雕塑不可避免地首先吸引了具有古典艺术背景的探险者的注意。但是早期的艺术很快就跟上了。
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6. Megasthenes’ Book 5. Introducing Megasthenes 12. Two Hundred Years of Debate: Greek and Indian Thought 9. The Question of Utopia 13. The Trojan Elephant: Two Hundred Years of Co-existence from the Death of Alexander to the Death of Menander, 323 to 135 BCE
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