{"title":"The footman’s new clothes*","authors":"Diran Adebayo","doi":"10.4324/9780429491092-6","DOIUrl":null,"url":null,"abstract":"Beginning with autobiographical reflections on the author’s relationship with Europe, this essay explores how UK black artists, activists and other interested parties might move beyond the dominance of Racism as an issue and frame to help prod Europe to more progressive pastures.","PeriodicalId":187751,"journal":{"name":"Locating African European Studies","volume":"5 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Locating African European Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4324/9780429491092-6","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Beginning with autobiographical reflections on the author’s relationship with Europe, this essay explores how UK black artists, activists and other interested parties might move beyond the dominance of Racism as an issue and frame to help prod Europe to more progressive pastures.
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