A Contextual Analysis of Onnuri Church’s “Love Sonata”

Ecclesial Futures Pub Date : 2020-12-01 DOI:10.54195/ef12042
J. N. Ennings
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引用次数: 1

Abstract

Since its beginning in 2007 through 2019, Onnuri Church’s Love Sonata musical outreach extravaganza has been held thirty times in cities all across Japan (and four elsewhere in Asia). Capitalizing on the wildly popular 2002 “Winter Sonata” Korean TV drama (“Fuyu Sonata” in Japan), Pastor Ha Yong-Jo instigated a “cultural evangelism gathering” involving Christian Korean musicians performing and himself preaching an evangelistic message. Hundreds of Onnuri Church volunteers have paid their own way to go and pray, make gift boxes, greet newcomers, and otherwise support each Love Sonata event. As a Korean outreach to Japan, Love Sonata provides an illuminating case study of cross-cultural missions in challenging circumstances. Korea and Japan are close in many ways, yet in other ways they are very far apart. Studying various aspects of the interpersonal interactions involved in the Love Sonata enterprise sheds instructive light on how mission service is embedded in actual history, often involving significant cultural barriers. Supported by qualitative research from interviews with both Japanese and Korean participants, plus drawing on the author’s thirteen-year Japan-based experience and five-year Korea-based experience, this study offers a multifaceted analysis of Love Sonata in order not to evaluate or make recommendations but to understand its overall contextual characteristics.
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Onnuri Church《爱情奏鸣曲》的语境分析
从2007年开始到2019年,Onnuri教堂的“爱情奏鸣曲”音乐推广盛会已经在日本各地的城市举办了30次(在亚洲其他地方举办了4次)。河龙祖牧师利用2002年风靡一时的韩剧《冬季奏鸣曲》(日本称为《富余奏鸣曲》),发起了由韩国基督教音乐家表演和自己布道的“文化福音聚会”。数百名Onnuri教会志愿者自费前往祈祷、制作礼品盒、问候新来者,并以其他方式支持每一场爱奏鸣曲活动。作为韩国对日本的延伸,《爱情奏鸣曲》提供了一个具有启发性的跨文化使命的案例研究。韩国和日本在许多方面很接近,但在其他方面却相去甚远。研究爱情奏鸣曲企业中涉及的人际互动的各个方面,有助于了解使命服务是如何嵌入实际历史的,往往涉及重大的文化障碍。通过对日本和韩国参与者的访谈进行定性研究,再加上作者在日本的13年经历和在韩国的5年经历,本研究对《爱情奏鸣曲》进行了多方面的分析,目的不是评估或提出建议,而是了解其整体背景特征。
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