ANALYTICAL AND INTERPRETATIVE PRESENTATION OF CHANT DE LINOS BY ANDRE JOLIVET

Angelina Nikolić
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Abstract

The composition Chant de Linos by André Jolivet was an important response to the shift in ideals and aesthetics from the time of the Second World War and continues to occupy the great attention of flutists to this day. Today's abundance of literature has enabled this approach to Jolivet's music in several different ways, but since the author of this text is a flautist himself, a significant part of the work will be devoted to the interpretive aspect through the explication of the practical application of the already elaborated facts. The presentation of the multi-layered aspects of the piece will be made with the help of various critical aspects that will shed light on the cultural and social aspects of Jolivet’s background, while also illustrating important poetical characteristics of his. Methods of artistic research such as historical, analytical, comparative and practical-performance method will be used in this work. Although the composer himself did not provide more extensive program content, we can consider that Chant de Linos belongs to program music, since it clearly evokes certain ideas and concepts. Mapping and defining specific non-musical content contains the first part of the text, while the second part will deal with its practical application. Therefore, the goal of the overall exegesis is to bring the performers to a deeper understanding of the composer's intentions in order to perform the most expressive and meaningful interpretation.
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安德烈·乔利维对《利诺之歌》的分析与阐释
安德烈·乔利维特的作品《利诺之歌》是对第二次世界大战以来理想和美学转变的重要回应,至今仍吸引着长笛演奏家的极大关注。今天丰富的文献使这种方法能够以几种不同的方式来研究Jolivet的音乐,但由于本文的作者本身就是一个长笛演奏家,因此,通过对已经阐述的事实的实际应用的解释,工作的一个重要部分将致力于解释方面。该作品的多层次呈现将借助各种关键方面的帮助,这些方面将阐明Jolivet背景的文化和社会方面,同时也说明了他的重要诗歌特征。本作品将运用历史、分析、比较、实干等艺术研究方法。虽然作曲家本人并没有提供更广泛的节目内容,但我们可以认为Chant de Linos属于节目音乐,因为它明显唤起了一定的思想和概念。映射和定义具体的非音乐内容包含文本的第一部分,而第二部分将处理其实际应用。因此,整体释经的目标是使演奏者更深入地理解作曲家的意图,以便进行最有表现力和最有意义的诠释。
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