Standstill to the 'beat': differences in involuntary movement responses to simple and complex rhythms

Agata Zelechowska, V. E. G. Sánchez, A. Jensenius
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引用次数: 3

Abstract

Previous studies have shown that movement-inducing properties of music largely depend on the rhythmic complexity of the stimuli. However, little is known about how simple isochronous beat patterns differ from more complex rhythmic structures in their effect on body movement. In this paper we study spontaneous movement of 98 participants instructed to stand as still as possible for 7 minutes while listening to silence and randomised sound excerpts: isochronous drumbeats and complex drum patterns, each at three different tempi (90, 120, 140 BPM). The participants' head movement was recorded with an optical motion capture system. We found that on average participants moved more during the sound stimuli than in silence, which confirms the results from our previous studies. Moreover, the stimulus with complex drum patterns elicited more movement when compared to the isochronous drum beats. Across different tempi, the participants moved most at 120 BPM for the average of both types of stimuli. For the isochronous drumbeats, however, their movement was highest at 140 BPM. These results can contribute to our understanding of the interplay between rhythmic complexity, tempo and music-induced movement.
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静止的“节拍”:对简单和复杂节奏的不自主运动反应的差异
先前的研究表明,音乐的运动诱导特性在很大程度上取决于刺激的节奏复杂性。然而,对于简单的等时节拍模式与更复杂的节奏结构对身体运动的影响有何不同,人们知之甚少。在本文中,我们研究了98名参与者的自发运动,要求他们在听安静和随机的声音节选时尽可能地站着7分钟:等时鼓声和复杂的鼓声模式,每一种都有三种不同的速度(90,120,140 BPM)。参与者的头部运动被光学动作捕捉系统记录下来。我们发现,平均而言,参与者在声音刺激下比在沉默时移动得更多,这证实了我们之前的研究结果。此外,与等时鼓声相比,具有复杂鼓声模式的刺激引起更多的运动。在不同的速度下,两种刺激的平均速度为每分钟120次时,参与者的运动最多。然而,对于等时鼓声,它们的运动在140 BPM时最高。这些结果有助于我们理解节奏复杂性、速度和音乐诱发运动之间的相互作用。
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