Cultural Diversity: Aesthetic Analysis of Persian and Kashmiri Paisley Ornaments

Fatima Zahra, Seyedeh Samaneh Fatemi
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引用次数: 1

Abstract

The article focuses on the origins and evolution of the Indo-Persian decoration "Paisley," as well as the use of this flowery linear pattern on textiles such as shawls, table wraps, and carpets. Paisley has gone through many stages in its evolution, including the Iranian art period and the Indo-Subcontinent phase (Mughal era). The intrinsic nature of the decoration is shown via a comparative research technique that defines Indo-Persian motif features. This article looked at the primary ornamental elements of the paisley pattern, which are floral and geometrical in nature, and how they are used in Iran and Kashmir. Finally, this article discusses how, because of Paisley's growing and blooming character, it is often a prominent ornament in the most important works of enrichment and plays an accentuation role in the decoration of textile surfaces. Paisley, a masterpiece, is especially linked to techniques for conveying the aesthetic brilliance of the pattern used in many cultures.
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文化多样性:波斯和克什米尔佩斯利纹饰的美学分析
本文重点介绍了印度-波斯纹饰“佩斯利”的起源和演变,以及这种华丽的线性图案在披肩、桌布和地毯等纺织品上的使用。佩斯利图案的演变经历了许多阶段,包括伊朗艺术时期和印度次大陆阶段(莫卧儿时代)。通过比较研究技术,定义了印度-波斯图案的特征,展示了装饰的内在本质。这篇文章研究了佩斯利图案的主要装饰元素,这些元素本质上是花卉和几何的,以及它们如何在伊朗和克什米尔使用。最后,本文论述了由于佩斯利图案的生长和盛开的特点,它在最重要的丰富作品中往往是一个突出的点缀,在纺织品表面的装饰中起着突出的作用。佩斯利图案是一件杰作,它与在许多文化中使用的表达图案的美学光辉的技术联系在一起。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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