Feminist Dybbuks: Spirit Possession Motif in Post-Second Wave Jewish Women's Fiction

Agnieszka Legutko
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引用次数: 6

Abstract

In this essay, the author examines several innovative explorations and imaginative variations on the theme of spirit possession in contemporary Jewish women's fiction. After a brief overview of the dybbuk possession phenomenon and S. An-sky's well-known play The Dybbuk or Between Two Worlds, the author does a comparative analysis presenting the motif of dybbuk and spirit possession in E. M. Broner's A Weave of Women, Francine Prose's Hungry Hearts, Running Fiercely Toward a High Thin Sound by Judith Katz, The Dyke and the Dybbuk by Ellen Galford, The Romance Reader by Pearl Abraham, and The Road to Fez by Ruth Knafo Setton. Legutko finds women writers place the emphasis on the possessed person and not only on the dybbuk, while the exorcist—the significant focus of the male narratives—is relegated to a secondary role. Feminist dybbuk stories address issues such as arranged marriage, sexual difference, domestic violence, or mother-daughter relationships, while the religious aspects of possession are no longer of primary concern. Finally, Jewish women writers make a great use of humor in the dybbuk narratives.
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女权主义:后二次浪潮犹太女性小说中的精神占有母题
本文探讨了当代犹太女性小说在精神占有主题上的一些创新探索和富有想象力的变化。在简要概述了鬼附现象和S. An-sky的名剧《鬼附》或《两个世界之间》的基础上,比较分析了E. M.布朗的《女人的编织》、弗朗辛·普罗斯的《饥饿的心》、朱迪思·卡茨的《向高细的声音狂奔》、艾伦·加尔福德的《堤坝与鬼附》、珀尔·亚伯拉罕的《浪漫读本》和露丝·克纳福·塞顿的《非斯之路》中鬼附和灵魂附的主题。莱古特科发现,女性作家把重点放在了被附身的人身上,而不仅仅是魔鬼身上,而驱魔人——男性叙事的重要焦点——则被降级为次要角色。女权主义小说涉及包办婚姻、性别差异、家庭暴力或母女关系等问题,而占有的宗教方面不再是主要关注的问题。最后,犹太女作家在小说叙事中大量运用幽默。
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