{"title":"The Literary Reputation of the Cubo-Futurists in the 1910s","authors":"S. Kazakova","doi":"10.22455/978-5-9208-0661-1-273-281","DOIUrl":null,"url":null,"abstract":"The paper analyzes the creative strategy of cubo-futurists for self-promotion in the 1910s. The author’s goal was to investigate the methods used to form the literary reputation of the “Gilea” group, based on published reviews of the performances of cubo-futurists known for aestheticizing creative behavior. It is important to study the media image of cubo-futurists in the press and the conflicts that arise between them and the media. The author comes to the conclusion that cubo-futurists deliberately formed the literary reputation of hooligans, their creative behavior was characterized by an attitude towards scandal. This image was replicated by the press, conflict relations with which were part of the Cubo-Futurists’ strategy of selfpromotion.","PeriodicalId":130982,"journal":{"name":"Russian Literature and Journalism in the Pre-revolutionary Era: Forms of Interaction and Methodology of Analysis","volume":"10 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Russian Literature and Journalism in the Pre-revolutionary Era: Forms of Interaction and Methodology of Analysis","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.22455/978-5-9208-0661-1-273-281","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
The paper analyzes the creative strategy of cubo-futurists for self-promotion in the 1910s. The author’s goal was to investigate the methods used to form the literary reputation of the “Gilea” group, based on published reviews of the performances of cubo-futurists known for aestheticizing creative behavior. It is important to study the media image of cubo-futurists in the press and the conflicts that arise between them and the media. The author comes to the conclusion that cubo-futurists deliberately formed the literary reputation of hooligans, their creative behavior was characterized by an attitude towards scandal. This image was replicated by the press, conflict relations with which were part of the Cubo-Futurists’ strategy of selfpromotion.