An Arab Feminist’s Indirect Perpetuation Of Western Stereotypes About Muslim Women:, Nawal El Saadawi’s Woman At Point Zero

Rawiya Kouachi
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Abstract

The article analyses Nawal El Saadawi’s Islamic feminism in Woman at Point Zero. It investigates whether the novel shows features of Islamic feminism or another version of Western feminism. Albeit El Saadawi is called an Islamic feminist, the analysis of her novel from an Islamic feminist perspective shows non-Islamic feminist practices in terms of disdaining daughters, female circumcision, molestation, preventing women from education, forced marriages, beating wives and prostitution. Consequently, El Saadawi’s novel is not an Islamic feminist work. Rather, it unconsciously bolsters Western stereotypes about Muslim women who are regarded as oppressed by both men and Islam. Hence, calling El Saadawi an Islamic feminist misguides her audience, especially international readers to believe that every single practice in the novel is relevant to Islamic feminism and Islam. Yet, the presented practices are cultural ones. Therefore, El Saadawi’s novel represents Arab feminism that is greatly influenced by Western feminism.
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一位阿拉伯女权主义者间接延续了西方对穆斯林妇女的刻板印象:纳瓦尔·埃尔·萨达维的《起点上的女人》
本文分析了纳瓦尔·萨达维在《零点的女人》中的伊斯兰女性主义思想。它考察了这部小说究竟表现了伊斯兰女性主义的特征,还是西方女性主义的另一种版本。虽然萨达维被称为伊斯兰女权主义者,但从伊斯兰女权主义者的角度分析她的小说,可以看出她在蔑视女儿、女性割礼、骚扰、阻止女性受教育、强迫婚姻、殴打妻子、卖淫等方面的非伊斯兰女权主义行为。因此,萨达维的小说不是伊斯兰女权主义作品。相反,它无意识地支持了西方对穆斯林女性的刻板印象,这些女性被认为受到男性和伊斯兰教的压迫。因此,称萨达维为伊斯兰女权主义者会误导她的读者,尤其是国际读者,使他们相信小说中的每一个行为都与伊斯兰女权主义和伊斯兰教有关。然而,所呈现的实践是文化的。因此,萨达维的小说代表了受西方女性主义影响较大的阿拉伯女性主义。
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