A Probe into the Fate of Women in the Evolution of Society—A Brief Analysis of Amanda in Tennessee Williams’ The Glass Menagerie

Zhang Tiehu
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Abstract

Tennessee Williams is the most famous southern American playwright in twentieth century (Adler, 1994). He is known for his strong southern cultural background, especially southern women educated in a traditional gentlewoman style. The southern women of Tennessee believed that their traditional culture was the essence of human civilization and therefore of considerable value. However, such values could not be recognized in the modern industrial society. Most of these women were sensitive and tender, suffering from industrialized society, full of all sorts of evils, and they had turned to traditional culture to seek mental peace and shelter for the moment, so they again became a lonely and frustrated. While they refused to change their cultural identity, they had to live in a modern, industrialized society that did not belong to them. Therefore, they were regarded as people living in the cultural gap, and eventually became the victims of the confrontation between traditional southern culture and modern industrial culture. As one of the most contradictory and dramatic characters in the play, Amanda is also one of the unique images of women in American drama. As Tennessee said when introducing the characters in the play, “the portrayal of Amanda is by no means derived from a specific archetype”.
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社会演变中女性命运探析——浅析田纳西·威廉姆斯《玻璃动物园》中的阿曼达
田纳西·威廉姆斯是二十世纪美国南部最著名的剧作家(Adler, 1994)。他以浓厚的南方文化背景而闻名,尤其是以传统淑女风格教育的南方女性。田纳西州的南方妇女认为,她们的传统文化是人类文明的精髓,因此具有相当大的价值。然而,这些价值观在现代工业社会中无法得到认可。这些女性大多敏感柔弱,饱受工业化社会的折磨,充斥着各种罪恶,她们转向传统文化寻求暂时的心灵安宁和庇护,因此她们再次成为孤独和沮丧的人。虽然他们拒绝改变自己的文化身份,但他们不得不生活在一个不属于他们的现代工业化社会中。因此,他们被视为生活在文化鸿沟中的人,最终成为南方传统文化与现代工业文化对抗的受害者。作为剧中最具矛盾性和戏剧性的角色之一,阿曼达也是美剧中独特的女性形象之一。正如田纳西在介绍剧中人物时所说的那样,“阿曼达的形象绝不是从一个特定的原型中衍生出来的”。
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