‘You don’t have the right to hit anyone’: Domestic violence in Othello and Omkara

Kelsey Ridge
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Abstract

Alongside the infamous jealousy of Shakespeare’s Othello lies the domestic violence that brings the play to its dark conclusion. Vishal Bhardwaj’s 2006 Bollywood adaptation, Omkara, involves the same issues. The domestic violence, however, is present in different forms. It is a prominent part of Desdemona’s plot arc and an important element of Emilia’s backstory. Dolly’s experience mirrors that of Desdemona. However, Indu’s relationship with Langda is quite different from Emilia’s relationship with Iago. These alterations lead Indu and Langda, though not Dolly and Omkara, to different outcomes from their Shakespearean counterparts. This article contrasts the depiction of domestic violence in Othello and Omkara and examines what is gained through the change in the appropriation.
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“你没有权利打任何人”:《奥赛罗》和《奥姆卡拉》中的家庭暴力
除了莎士比亚《奥赛罗》中臭名昭著的嫉妒之外,家庭暴力也给这部剧带来了黑暗的结局。维沙尔·巴德瓦吉2006年的宝莱坞改编电影《奥姆卡拉》也涉及到同样的问题。然而,家庭暴力以不同的形式存在。这是苔丝狄蒙娜情节主线的重要组成部分,也是艾米莉亚背景故事的重要组成部分。多莉的经历反映了苔丝狄蒙娜的经历。然而,英杜与朗达的关系与艾米莉亚与伊阿古的关系截然不同。这些改变导致了英杜和朗达,尽管不是多莉和奥姆卡拉,与莎士比亚的同类不同的结果。本文对比了《奥赛罗》和《奥姆卡拉》中对家庭暴力的描述,并考察了通过挪用的变化获得了什么。
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