But, What Actually Happens When We Engage with “Art”?

Matthew Pelowski, H. Leder
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引用次数: 1

Abstract

In this chapter, the authors report on how they joined in the exciting project to lay the theoretical foundations describing aesthetic experiences with artwork. Their 2017 paper was a culmination of meetings, later intense collaboration in Vienna’s empirical aesthetic research group, and the convergence of the models that the authors had independently developed in the past. The joint model described here was a major development that included a pre-state incorporating schemas (working maps of the world, expectations, beliefs, cued behaviors, actions, meanings, responses, and a general idea of self) that one might bring to an art encounter and also addressed the implications of different outcomes from all engagements, with especially visual media. The authors’ general aim was to answer what, broadly speaking, could happen when individuals encounter any design or visual art.
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但是,当我们与“艺术”接触时,究竟发生了什么?
在这一章中,作者报告了他们如何加入这个令人兴奋的项目,为描述艺术审美体验奠定了理论基础。他们2017年的论文是会议的高潮,后来在维也纳实证美学研究小组的密切合作,以及作者过去独立开发的模型的融合。这里描述的联合模型是一个主要的发展,包括一个整合图式的前状态(世界的工作地图,期望,信念,暗示行为,行动,意义,反应和自我的一般想法),一个人可能会带来艺术相遇,也解决了所有参与的不同结果的含义,特别是视觉媒体。作者的总体目标是回答,从广义上讲,当个人遇到任何设计或视觉艺术时,可能会发生什么。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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