{"title":"The Application of Contemporary Expressive Painting Language in Cartoon Creation","authors":"Qiuyuan Li","doi":"10.2991/ICMETE-19.2019.4","DOIUrl":null,"url":null,"abstract":"Contemporary painting context is bound to break through traditional meaning, and the introduction of new painting language is one of the ways to break through traditional way. This paper, starting from the artist’s creative and the artist’s most impulsive and essential way of expression, attempts to reflect on the direction of artistic creation in practice in the changing context of contemporary painting, returning to the language itself of contemporary painting creation, combining with contemporary artistic context, several contemporary Japanese artists and their works as examples. At the same time, this paper introduces animation painting as a pure painting language into contemporary painting, and analyses its application, function and mutual influence in the context of","PeriodicalId":159704,"journal":{"name":"Proceedings of the 2019 International Conference on Management, Education Technology and Economics (ICMETE 2019)","volume":"564 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Proceedings of the 2019 International Conference on Management, Education Technology and Economics (ICMETE 2019)","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2991/ICMETE-19.2019.4","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Contemporary painting context is bound to break through traditional meaning, and the introduction of new painting language is one of the ways to break through traditional way. This paper, starting from the artist’s creative and the artist’s most impulsive and essential way of expression, attempts to reflect on the direction of artistic creation in practice in the changing context of contemporary painting, returning to the language itself of contemporary painting creation, combining with contemporary artistic context, several contemporary Japanese artists and their works as examples. At the same time, this paper introduces animation painting as a pure painting language into contemporary painting, and analyses its application, function and mutual influence in the context of