Revisiting Sol Plaatje’s Mafeking Diary

B. Willan
{"title":"Revisiting Sol Plaatje’s Mafeking Diary","authors":"B. Willan","doi":"10.1080/21674736.2021.2016252","DOIUrl":null,"url":null,"abstract":"Abstract Solomon Tshekisho Plaatje (1876–1932) is one of South Africa’s best known political and literary figures, his novel Mhudi now part of the literary canon. Yet his Mafeking Diary, written during the siege of Mafeking, one of the best known episodes of the South African War of 1899–1902, has been surprisingly neglected. In this article I suggest that this may have to do with the indeterminate status of the genre of the diary, and the fact that it does not fit in easily with a nationalist narrative that has privileged the political. In arguing for its importance, I look at the social and intellectual influences that helped form Plaatje’s world view as reflected in the diary; the circumstances in which he wrote it; his reasons for writing it; who he envisaged would read it; how its nature and form were affected by the events that went on around him; the choices he made about what to include and what to omit; the literary models upon which he drew; the linguistic choices he made; the opportunities the diary provided to develop not only his literary skills but a wider sense of self.","PeriodicalId":116895,"journal":{"name":"Journal of the African Literature Association","volume":"29 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-01-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of the African Literature Association","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/21674736.2021.2016252","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1

Abstract

Abstract Solomon Tshekisho Plaatje (1876–1932) is one of South Africa’s best known political and literary figures, his novel Mhudi now part of the literary canon. Yet his Mafeking Diary, written during the siege of Mafeking, one of the best known episodes of the South African War of 1899–1902, has been surprisingly neglected. In this article I suggest that this may have to do with the indeterminate status of the genre of the diary, and the fact that it does not fit in easily with a nationalist narrative that has privileged the political. In arguing for its importance, I look at the social and intellectual influences that helped form Plaatje’s world view as reflected in the diary; the circumstances in which he wrote it; his reasons for writing it; who he envisaged would read it; how its nature and form were affected by the events that went on around him; the choices he made about what to include and what to omit; the literary models upon which he drew; the linguistic choices he made; the opportunities the diary provided to develop not only his literary skills but a wider sense of self.
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
回顾索尔·吉尔斯的Mafeking日记
Solomon Tshekisho Plaatje(1876-1932)是南非最著名的政治和文学人物之一,他的小说《穆胡迪》现已成为文学经典的一部分。然而,他在1899-1902年南非战争中最著名的事件之一——马富金围城期间写的《马富金日记》却出人意料地被忽视了。在这篇文章中,我认为这可能与日记类型的不确定地位有关,而且它不容易与赋予政治特权的民族主义叙事相适应。在论证其重要性的过程中,我考察了日记中所反映的有助于形成普拉杰世界观的社会和智力影响;他写这封信的环境;他写这本书的原因;他设想的人会读它;它的性质和形式如何受到他周围发生的事件的影响;他所做的选择,包括什么和什么省略;他所借鉴的文学模式;他所做的语言选择;日记不仅给了他发展文学技巧的机会,也给了他更广泛的自我意识。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 去求助
来源期刊
自引率
0.00%
发文量
0
期刊最新文献
Euphrase Kezilahabi’s Kaptula la Marx as a site of cold war contestation and communitas making Oh My Country, My Beautiful People! Oh My Country, My Beautiful People! by Ousmane Sembène, translated by Nigel Watt, London, UK: Books of Africa Ltd., 2024, 198 pp., ISBN-13: 978-1-915527-25-7: Hardback. GBP 18.99 Of gaps and scars: a voyage in Tejumola Olaniyan’s performance theories and the throes of postcoloniality “Arrest the dance!”: rethinking Tejumola Olaniyan’s “postcolonial antinomy” and the politics of art activism Common sense, uncommon sense: Tejumola Olaniyan in the theorization of African postcolonial Drama
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1