The Problem of “Higher Individuals” in the Works of F.M. Dostoevsky

Liao Xiaoyu, I. Evlampiev
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Abstract

This article deals with the controversial issue of F.M. Dostoevsky’s concept of “Higher Individuals.” The latter are people who rise above other people and have a special influence on society and on history. The authors argue that this concept is most clearly expressed in “The Diary of a Writer” (1876) as well as in the story “The Sentence”, along with Dostoevsky’s commentaries on this story. By means of a detailed analysis of Raskolnikov’s “theory” within the novel “Crime and Punishment”, it is demonstrated that only a superficial version of the concept of “higher individuals” is refuted in the heroes’ argumentations; at the same time, the novel’s characters – Marmeladov, his wife Katerina Ivanovna, and Raskolnikov – can be viewed as examples of different degrees in the personal accomplishment of this “higher personality” state. In conclusion, it is observed how a person must go through three stages of development in order to become a “higher character”: firstly, the experience of an existential crisis and the understanding of the lack of meaning in one’s life; secondly, the “rebellion” against the Creator of the world and its laws along with the rejection of the traditional church faith, whose rejection leads this person on the edge of suicide; thirdly, the acquisition of a new faith, first of all, a faith in one’s immortality, which happens in an unusual, unorthodox form, as is well demonstrated by the character of Svidrigailov in Dostoevsky’s novel. According to Dostoevsky’s doctrine, the meaning ofimmortality lies in the continuation of a person’s existence in a new form in the earthly world or in a “parallel” world similar to the earthly one, and not in the ideal Kingdom of Heaven, as the church claims. Finally, the authors maintain that the process of a character’s transformation into a “higher individual” was consistently and fully described by Dostoevsky in the stories of Raskolnikov and Ivan Karamazov.
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陀思妥耶夫斯基作品中的“高级个体”问题
本文探讨陀思妥耶夫斯基“高级个体”概念的争议问题。后者是那些高高在上,对社会和历史有特殊影响的人。作者认为,这一概念在《一个作家的日记》(1876)和故事《句子》中得到了最清晰的表达,以及陀思妥耶夫斯基对这个故事的评论。通过对小说《罪与罚》中拉斯柯尔尼科夫的“理论”的详细分析,证明在主人公的论证中,“高等个体”的概念只是一个肤浅的版本;与此同时,小说中的人物——马尔梅拉多夫、他的妻子卡捷琳娜·伊万诺夫娜和拉斯柯尔尼科夫——可以被看作是这种“更高人格”状态的不同程度的个人成就的例子。综上所述,我们观察到一个人要成为一个“更高的人物”必须经历三个发展阶段:第一,经历生存危机,认识到生命的意义缺失;其次,对世界的创造者及其法则的“反叛”,以及对传统教会信仰的拒绝,导致这个人走向自杀的边缘;第三,获得一种新的信仰,首先是对自己不朽的信仰,这种信仰以一种不同寻常的、非正统的形式出现,陀思妥耶夫斯基小说中斯维德里盖洛夫的性格就很好地证明了这一点。根据陀思妥耶夫斯基的学说,不朽的意义在于一个人以一种新的形式在尘世或类似尘世的“平行”世界中继续存在,而不是像教会所宣称的那样在理想的天国中存在。最后,作者认为陀思妥耶夫斯基在拉斯柯尔尼科夫和伊万·卡拉马佐夫的故事中一致而完整地描述了人物向“高级个体”转变的过程。
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