建築における「姿図」の変遷

道夫 加藤
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Abstract

This survey treats architectural pictorial sketches from Vitruvius to 20th century. According to pictorial sketches, we can't have no rigorous definition because there were various types of pictorial sketches before their definition by projection method was made. So to understand the usage of these sketches, we have to look into various drawings historically. The conclusion is following. 1) Perspective method after Renaissance is an important one, because it simulates human perceptions as the imitating image of a retina one. 2) Axonometric drawings can represent architecture objectively setting a fixed view point free. So this method can be seen as a simulation of our recognition. 3) But we can't understand the change from perspectives to axonometric drawings as an evolutionary one. Because we can see various types of pictorial sketches after the Middle Ages, where we can find various devices such as Villard de Honnecourt's sketches or Du Cerseau's ones.
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建筑“姿态图”的变迁
本调查处理从维特鲁威到20世纪的建筑绘画草图。根据写真,我们不可能没有严格的定义,因为在用投影法定义写真之前,写真的种类是多种多样的。因此,为了理解这些草图的用法,我们必须研究历史上各种各样的绘画。结论如下。1)文艺复兴之后的透视法是一种重要的透视法,因为它模拟人类的感知,是视网膜的模仿图像。2)轴测图可以客观地表现建筑,不受固定视点的限制。所以这个方法可以看作是模拟我们的识别。3)但我们不能把从透视到轴测图的变化理解为一种进化。因为我们可以看到中世纪以后各种各样的写生,在那里我们可以找到各种各样的装置,比如维拉德·德·洪内古尔的写生或者杜·瑟索的写生。
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