{"title":"Jia Zhangke, mingong et infamie migratoire","authors":"G. Bortzmeyer","doi":"10.4000/recherchestravaux.1029","DOIUrl":null,"url":null,"abstract":"L’article inspecte l’œuvre mobile de Jia Zhangke, pour comprendre comment le cineaste s’est empare de la figure du mingong — migrant interieur clandestin dans son propre pays — afin d’y observer les reverberations de la mutation nationale, du maoisme au socialisme de marche.","PeriodicalId":429136,"journal":{"name":"Recherches & travaux","volume":"4 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Recherches & travaux","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4000/recherchestravaux.1029","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
L’article inspecte l’œuvre mobile de Jia Zhangke, pour comprendre comment le cineaste s’est empare de la figure du mingong — migrant interieur clandestin dans son propre pays — afin d’y observer les reverberations de la mutation nationale, du maoisme au socialisme de marche.