Irish [and English and American] Poets, Learn Your Trade

D. Mccloskey
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Abstract

he puzzle is why poetry has so little contact with the business of ordinary life. Robert Frost is an exception, but even so ideological a poet as Auden refrains from being bleared with trade. Yeats in particular, a conservative, disdained trade, though urging poets to learn theirs. The very word “poetry,” of course, is from “thing made,” and the puzzle deepens. St. Thomas Aquinas had raised making by people to the dignity of God’s making, at least poetically. And yet. We have The Oxford Book of Love Poetry and The Oxford Book of the Sea, with battles and botanical observations (“Nothing gold can stay”), and yet the economy, even after the invention of economics by the Scots in the eighteenth century, is set aside. It has left poets and their readers in law and literature and politics proud to be thus ignorant. The sacred and the profane in fact are entangled.
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爱尔兰(以及英国和美国)的诗人,学会你的手艺吧
令人困惑的是,为什么诗歌与日常生活的事务联系如此之少。罗伯特·弗罗斯特是个例外,但即使是像奥登这样意识形态化的诗人,也没有被贸易弄得模糊不清。尤其是叶芝,他是一个保守的人,蔑视贸易,尽管他鼓励诗人学习贸易。当然,“诗歌”这个词本身就是来自于“创造的东西”,而这个谜题就加深了。圣托马斯·阿奎那把人的创造提升到上帝创造的尊严,至少在诗歌上是这样。然而。我们有《牛津情诗集》和《牛津海洋集》,其中有战争和植物观察(“美景易逝”),然而经济,即使在18世纪苏格兰人发明了经济学之后,也被搁置一边。这让诗人和他们在法律、文学和政治领域的读者为自己的无知感到骄傲。神圣和世俗实际上是纠缠在一起的。
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