Robert Louis Stevenson and the Fin-de-Siècle Vampire “Olalla” (1885) as ‘Aesthetic Fantastic’

Angelo Riccioni
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Abstract

“Olalla” (1885) by Robert Louis Stevenson has usually been neglected by critics interested in late-Victorian culture. Preceding of just a few weeks the publication of The Strange Case of Dr. Jekyll and Mr. Hyde (1886), this novella has been judged as a derivative work, a story whose interest lies in its different sources, ranging from Edward Bulwer Lytton’s A Strange Story to E.A. Poe’s tales. My analysis aims to prove that in writing this work, Stevenson is probably drawing inspiration from the imagery exploited by some members of the Aesthetic Movement, among them Walter Pater and Edward Burne-Jones.
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罗伯特·路易斯·史蒂文森和芬德·斯蒂文森的吸血鬼“奥拉拉”(1885年)被评为“美学幻想”
罗伯特·路易斯·史蒂文森(Robert Louis Stevenson)的《奥拉拉》(1885)通常被对维多利亚晚期文化感兴趣的评论家所忽视。在《化身博士怪案》(1886)出版前的几个星期,这部中篇小说被认为是一部衍生作品,它的有趣之处在于它的不同来源,从爱德华·布尔沃·利顿的《怪故事》到e·a·坡的故事。我的分析旨在证明,在写作这部作品时,史蒂文森可能从一些美学运动成员所利用的意象中获得灵感,其中包括沃尔特·佩特和爱德华·伯恩-琼斯。
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Beyond the Boundaries of Realism Monstrous Islands and Literary Hybrids at the Fin de Siècle in Conan Doyle’s, R. L. Stevenson’s and H. G. Wells’s Fiction Introduction: The Supernatural between Fact and Fiction, from the Gothic to the Fin de Siècle “Our Filthy Liues in Swines are Shewd”: Deformed Pigs, Religious Disquiet and Propaganda in Elizabethan England Foley Effects in the Gothic Sound in The Castle of Otranto “Things that Make One Doubt if They be Mad or Sane” Coping with the Monstrous in Bram Stoker’s Dracula
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