A tale of two fighters: images of child soldiers in Jewish and African child soldier narratives

Abstract

Abstract In this essay I examine the representations of child soldiers in Yuri Suhl’s Uncle Misha’s Partisans and Emmanuel Dongala’s Johnny Mad Dog. While Suhl’s novel recreates the historical fact of Jewish children’s involvement in the organized group of resistance fighters – called the Jewish Partisans – during the Second World War and in that sense serves to recreate the history of Jewish child soldiering, Dongala’s narrative portrays a conflict in which children are instrumentalized as soldiers in a war propelled by mere avarice, the fighters as ideologically barren, and the children involved as mainly innocent victims of adults’ myopia. In comparatively examining these two narratives, I argue that, whereas Suhl offers a positive portraiture of Jewish child soldiers as patriotic beings with agency and voice and constructs a far more nuanced perspective of childhood innocence, Dongala in his own work represents African child soldiers in familiarly negative light.