Eastern/Western Place and Placelessness in Salman Rushdie’s “At the Auction of the Ruby Slippers”

Ana-Blanca Ciocoi-Pop
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Abstract

Abstract Written in 1994, Salman Rushdie’s story “At the Auction of the Ruby Slippers”, part of the volume suggestively entitled East, West, perfectly thematizes and predicts the East-West cultural conflict which would dominate most of 20th and 21st century politics, economy, and discourse. The story deliberately blurs the dividing line between real and fictional in a magical realist text which masterfully narrates Rushdie’s lifelong identity struggle. With much irony and wit, the multicultural author dwells on what he perceives as obvious shortcomings of both the Eastern and the Western culture. The cultural discourse is permanently intertwined with the one related to ethical versus immoral behavior, and our cultural conditioning which makes us have obviously biased views towards both, as well as with the importance of spatial and cultural paradigms and senses of belonging. Rushdie’s story transposes historical and cultural realities into the realm of the fictional, drawing heavily on nowadays’ global understanding of the terms “home” and “identity”, which have become painfully fluid concepts. Place and placelessness thus beome the central axes around which the story’s culturally tinged narrative evolves.
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萨尔曼·拉什迪《红宝石拖鞋拍卖会上》中的东西地方与无地方性
萨尔曼·拉什迪(Salman Rushdie)的小说《红宝石拖鞋拍卖会上》(At the Auction of the Ruby拖鞋)写于1994年,是《东方,西方》(East, West)一书中带有暗示性意味的一部分,它完美地对主宰20世纪和21世纪大部分政治、经济和话语的东西方文化冲突进行了主题化和预测。这个故事故意模糊了真实和虚构的界限,在一个神奇的现实主义文本,巧妙地叙述了拉什迪的一生的身份斗争。这位多元文化的作者带着讽刺和机智,深入探讨了他所认为的东西方文化的明显缺陷。文化话语永远与道德与不道德行为相关的话语交织在一起,我们的文化条件使我们对两者都有明显的偏见,以及空间和文化范式和归属感的重要性。拉什迪的故事将历史和文化现实转移到虚构的领域,大量借鉴了当今全球对“家”和“身份”这两个术语的理解,这些术语已经成为令人痛苦的流动概念。因此,地点和无地点性成为故事文化叙事演变的中心轴线。
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