{"title":"Jazz Harmony: A Progress Report","authors":"C. Stover","doi":"10.14713/JJS.V10I2.89","DOIUrl":null,"url":null,"abstract":"The aims of this essay are twofold. On one level, it is a careful look at three recent textbooks on jazz theory. On another level, it extrapolates from its status as a review to consider what jazz theory is today.","PeriodicalId":331183,"journal":{"name":"Journal of Jazz Studies","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"6","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Jazz Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.14713/JJS.V10I2.89","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 6
Abstract
The aims of this essay are twofold. On one level, it is a careful look at three recent textbooks on jazz theory. On another level, it extrapolates from its status as a review to consider what jazz theory is today.