{"title":"Monstrous bodies: Theatrical designs by Salvador Dalí and Leonor Fini","authors":"Rachael Grew","doi":"10.1386/SCP.4.1.9_1","DOIUrl":null,"url":null,"abstract":"Theatrical design is an under-researched area of Surrealist visual culture. This article examines two examples of Surrealist set and costume design, created by Salvador Dalí and Leonor Fini, respectively, through the concept of the monstrous body. Here, ‘monstrous’ refers to the ambiguous body that defies conventional categories. By using the monstrous body to interpret their designs, this article will yield a deeper insight into these artists engagement with the Surrealist challenge to rational conventions of individualism. It will also evidence their own interests in fluid, metamorphic bodies that blur boundaries of the normative human and the ‘Other’.","PeriodicalId":273630,"journal":{"name":"Studies in Costume & Performance","volume":"75 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Studies in Costume & Performance","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/SCP.4.1.9_1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 2
Abstract
Theatrical design is an under-researched area of Surrealist visual culture. This article examines two examples of Surrealist set and costume design, created by Salvador Dalí and Leonor Fini, respectively, through the concept of the monstrous body. Here, ‘monstrous’ refers to the ambiguous body that defies conventional categories. By using the monstrous body to interpret their designs, this article will yield a deeper insight into these artists engagement with the Surrealist challenge to rational conventions of individualism. It will also evidence their own interests in fluid, metamorphic bodies that blur boundaries of the normative human and the ‘Other’.