Struggles at the 'peripheries': Situated knowledge production and feminist visions for post-extractive environments

Karin Reisinger
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Abstract

In extractive territories, companies determine local areas, from the scale of shared environments and urban transformations to cultural events. With my observations from two mining communities, I foreground feminist actors who apply spatial practices of care, support, maintenance, and reproduction. They are highly relevant for the endurance of the communities. Two goals frame these observations: (1) drawing attention to feminist actors’ reparative and counter-extractive practices as forms of shared architectural interventions within already documented architectures of mining; and (2) providing situated knowledges together with a material positionality of extraction as a requirement for architectural production based on iron ore. The first town of my fieldwork is Malmberget (literally ‘ore mountain’) in Sápmi / the north of Sweden, which will ultimately disappear as a result of the expansion of mining. The second town is Eisenerz at the foot of the mountain Erzberg (also meaning ‘ore mountain’), in the Austrian Alps, which is likewise in a crisis of identification, over-ageing, and shrinking, because mining requires a diminishing human workforce. Since both communities are in search of new narratives for post-extractive futures, I want to show how architectural research can ‘observe’ differently, foregrounding alternative actors, their feminist ecologies, and their productive spaces. Learning from actors who embroider architectures soon to be lost, curate farewell events for architectures, or preserve the colours of facades in paintings, and also learning from my experience of participating in their processes, I argue that extractive areas are diverse and full of life, pleasure, and creativity. For future scenarios, I suggest activating these situated knowledges to contribute to feminist visions for post-extractive environments. submerged perspectives ecologies and the monocultural imperative, as do I in encounter with flurry in their activity, random, complex, and coordinated systems that are often illegible to those with state and financial power that assume simplicity where complexity actually dwells.
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在“边缘”的斗争:后采掘环境的定位知识生产和女权主义愿景
在采掘领域,公司决定了当地的区域,从共享环境和城市转型的规模到文化活动。根据我对两个采矿社区的观察,我提出了女权主义行动者,他们应用了关怀、支持、维护和繁殖的空间实践。它们与社区的耐力高度相关。两个目标构成了这些观察:(1)引起对女权主义行动者的修复和反采掘实践的关注,作为已经记录的采矿建筑中共享建筑干预的形式;(2)为基于铁矿石的建筑生产提供定位的知识和提取的物质位置。我实地考察的第一个城镇是Malmberget(字面意思为“矿石山”),位于Sápmi /瑞典北部,由于采矿的扩张,它最终将消失。第二个城镇是位于奥地利阿尔卑斯山脉Erzberg山脚下的Eisenerz,它同样处于身份认同、过度老龄化和人口萎缩的危机中,因为采矿需要的劳动力越来越少。由于这两个社区都在寻找后采掘未来的新叙事,我想展示建筑研究如何以不同的方式“观察”,突出其他参与者,他们的女权主义生态,以及他们的生产空间。从那些为即将消失的建筑刺绣、为建筑策划告别活动、或在绘画中保留立面颜色的演员身上学习,以及从我参与他们过程的经验中学习,我认为采掘区是多样化的,充满了生命、快乐和创造力。对于未来的情景,我建议激活这些情境知识,以促进女权主义者对后采掘环境的愿景。被淹没的观点、生态学和单一文化的必要性,就像我在遇到它们活动中的混乱、随机、复杂和协调的系统时一样,这些系统对于那些拥有国家和财政权力的人来说往往是难以理解的,他们认为复杂性实际上存在于简单中。
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