Materials as participants for social and ecological justice: An artistic hundred-word writing experiment

Andreia Peñaloza-Caicedo, Yanina Carrizo, K. Chan
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Abstract

The pandemic and youth-led activism worldwide have disrupted the order of education systems and exposed existing social and ecological inequalities of all Earthly beings. Under radical uncertainty, as transdisciplinary researchers, we created an artistic hundred-word writing piece with materials as participants. We framed this experiment within posthuman thought, which criticizes anthropocentric practices. We recognize the agency and the mutual relationality of humans and other-than-humans in our pedagogical practices and research. We are education researchers at various stages of our Ph.D. studies. In this artistic writing practice, we share our diverse projects: a speculative creation of space, a multispecies ethnography of becoming-with dust and a visual ethnography of urban artistic activism. Following The Hundreds, we partake in each other’s research journeys through hundred-word units. The collaboration engages our rethinking of art and environmental education to answer the call for social and ecological justice.
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材料作为社会与生态正义的参与者:一个艺术的百字写作实验
这一流行病和世界各地青年领导的行动主义扰乱了教育系统的秩序,暴露了地球上所有人现有的社会和生态不平等。在极端的不确定性下,作为跨学科的研究者,我们以材料为参与者,创作了一篇百字的艺术作品。我们在批判人类中心主义实践的后人类思想框架下构建了这个实验。在我们的教学实践和研究中,我们认识到人类和非人类的代理和相互关系。我们是处于博士阶段的教育研究人员。在这个艺术写作实践中,我们分享了我们不同的项目:空间的思辨创造,多物种的尘埃人种志和城市艺术行动主义的视觉人种志。跟随《百人》,我们通过百字单位参与彼此的研究之旅。这次合作让我们重新思考艺术和环境教育,以回应社会和生态正义的呼吁。
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