State Variable Models For Sound Synthesis

P. Depalle, D. Matignon, X. Rodet
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Abstract

In this paper, we present an approach to sound synthesis which mes to unify the two current approaches, one that we call the signal approach and the other that we call the physical approach. These two approaches have their own advantages and drawbacks. 1. The signal approach inherits the whole set of signal processing techniques. It is based on the use of fairly general production models, the internal structure of which is not precisely defined. The input variables to the model are called parameters. The process of synthesizing a sound consists of finding the time varying values of the parameters. In general, there exist analysis techniques to determine parameter values from natural sounds (e.g. FFT ifor additive synthesis, LPC for source filter models). One of the drawbacks to this approach is the difficulty in determining the parameter values of a signal whose Characteristics vary rapidly. It is also difficult to control the model for certain sound effects since there is no internal description. 2. The physical approach consists of an explicit simulation of the physical system which produces the sound. In this case the internal description is precisely defined. Synthesis is accomplished by finding the numeric solution to the model equation. The control parameters directly correspond to the physical parameters of the system. The sound produced by such models are of great quality. The drawback to this synthesis method is that the modd equations are determined from a dePailed physical analysis of the insuument and that the parameters have to be obtained from physical measurements which are often long and complex to realise. To take advantage of the positive aspects of the preceding approaches, we explore a third approach. On the one hand it takes advantage of a precise description of the internal structure of a physical system. On the other hand, it determines certain parameter values by analyzing sounds produced by the system. Our new approach is based on the state variable description of physical systems. This formalism is largely used in process control theory. Kalmari filtering is one of the techniques that we use in order to obtain the parameter values that conool ihe model. We have applied this formalism to build a model of connected acoustic tubes. We have developped an algorithm for recursive consrmction of a state variable model given the structure of the system. Such a model can be excited by non linear systems to …
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声音合成的状态变量模型
在本文中,我们提出了一种声音合成的方法,它可以统一目前的两种方法,一种我们称之为信号方法,另一种我们称之为物理方法。这两种方法各有优缺点。1. 信号方法继承了一整套信号处理技术。它基于使用相当一般的生产模型,其内部结构没有精确定义。模型的输入变量称为参数。合成声音的过程包括找到参数随时间变化的值。一般来说,存在从自然声音中确定参数值的分析技术(例如用于加性合成的FFT,用于源滤波器模型的LPC)。这种方法的缺点之一是难以确定特征变化迅速的信号的参数值。因为没有内部描述,所以很难控制某些声音效果的模型。2. 物理方法包括对产生声音的物理系统的显式模拟。在这种情况下,内部描述是精确定义的。综合是通过寻找模型方程的数值解来完成的。控制参数直接对应系统的物理参数。这种型号发出的声音质量很好。这种综合方法的缺点是,模态方程是由对仪器的详细物理分析确定的,参数必须从物理测量中获得,而物理测量通常是漫长而复杂的。为了利用上述方法的积极方面,我们探索了第三种方法。一方面,它利用了对物理系统内部结构的精确描述。另一方面,它通过分析系统产生的声音来确定某些参数值。我们的新方法是基于物理系统的状态变量描述。这种形式主义在过程控制理论中得到了广泛的应用。卡尔马里滤波是我们用来获得控制模型的参数值的技术之一。我们运用这种形式建立了一个连接声管的模型。在给定系统结构的情况下,我们开发了一种递归构造状态变量模型的算法。这样的模型可以被非线性系统激发到…
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