Art therapy Places, flows, forces, matter and becoming

Patricia Fenner
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引用次数: 1

Abstract

This paper explores perspectives on the setting or room where art therapy takes place as an intense sensory, affective and meaning-filled site or placeworld wherein social, material, discursive, and psychological forces mingle. Using Dovey’s (2010 appropriation of the assemblage of Deleuze and Guattari (1987), the art therapy room is conceptualised as a dynamic ‘state of affairs’, wherein multiple forces including the political, ephemeral, discursive, material, interpersonal or psychodynamic are at play. Here, matter has agency with which we negotiate, collude and engage, albeit often semi- consciously and tacitly. Located initially in a phenomenological reading of the lived experience of the setting of art therapy for both art therapists and their clients, this proposition of the agential dimension of matter evolves and develops ideas from eco-psychology, new materialism and post-human discourses. Keyword: art room, studio, material conditions, place, client experience, therapist experience
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场所,流动,力量,物质和变化
本文探讨了将艺术治疗作为一个强烈的感官、情感和充满意义的场所或场所世界进行的环境或房间的观点,其中社会、物质、话语和心理力量混合在一起。利用Dovey(2010)对德勒兹和瓜塔里(1987)合集的挪用,艺术治疗室被概念化为一个动态的“事务状态”,其中包括政治、短暂、话语、材料、人际或心理动力等多种力量在发挥作用。在这里,物质具有我们与之协商、串通和交往的能动性,尽管常常是半意识的和默认的。最初定位于艺术治疗师和他们的客户对艺术治疗设置的生活经验的现象学解读,这种物质的代理维度的主张从生态心理学、新唯物主义和后人类话语中发展和发展。关键词:美术室,工作室,物质条件,场所,来访者体验,治疗师体验
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