The Image of a Horse in the Shamanic Attributes of the Khakas (Late 19th to Mid-20th Century)

V. A. Burnakov
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Abstract

Horse is a domestic animal of great importance in the economic life and spiritual culture of the Khakas, in particular, in shamanism. In the Khakas ethnography, the question of the meaning of the horse in the ritual practice of the shamans remains little studied. Due to this, the purpose of this article is to characterize the image of a horse in the shamanic attributes of the Khakas. The chronological framework of the work covers the late 19th to mid-20th centuries. The choice of such time limits is determined by the state of the database of sources on the research topic. The main sources are ethnographic and folklore materials. The work is based on the methodological principle of historicism. Historical and ethnographic methods are used: relict and semantic analysis. In the course of the study, it was determined that the horse and its image had one of the main places in the attributes of the Khakas shamans. In particular, the image of this animal was presented in the key cult items, such as a tambourine (tyyr), a rod (orba), and a costume (hamdykh/hamnyg kip). It was found out that, in the traditional beliefs of shamanists, the image of a horse was endowed with a special aura of sacredness. It was associated with the idea of a chula — the soul of a shaman in the guise of a horse. It was revealed that the shaman’s tambourine, covered with the skin of this ungulate, symbolized the mount on which kam traveled during his mysteries. It is shown that the ritual use of the tambourine by the shaman was preceded by a sacred act of its revival and introduction into the ritual sphere. It was determined that it was customary to depict horses and horsemen on tambourines, who personified the shaman’s spirit assistants and had a significant role in his ritual practice. It is highlighted that the horse symbolism was found on shamanic rods in the form of a protoma. During the shamanistic rituals, it was identified with a mystical steed. It was revealed that the shamanic costume also included elements associated with the image of a horse: bells, metal rattles and horse hair, which performed an auxiliary function in the process of shamanic rituals.
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卡卡人萨满属性中的马形象(19世纪末至20世纪中期)
马是一种家畜,在卡其人的经济生活和精神文化中,特别是在萨满教中占有重要地位。在卡卡斯民族志中,关于马在萨满仪式实践中的意义的问题仍然很少被研究。正因为如此,本文的目的是描述马的形象在哈卡人的萨满属性。这部作品的时间框架涵盖了19世纪末到20世纪中期。这些时间限制的选择是由研究课题的资源数据库的状态决定的。主要来源是民族志和民俗资料。这部著作以历史决定论的方法论原则为基础。使用历史和民族志方法:遗留物和语义分析。在研究过程中,确定了马及其形象在卡卡斯萨满的属性中占有主要地位之一。特别是,这种动物的形象出现在关键的崇拜物品中,例如铃鼓(tyyr),杖(orba)和服装(hamdykh/hamnyg kip)。人们发现,在萨满教的传统信仰中,马的形象被赋予了一种特殊的神圣光环。它与丘拉的概念有关-一个萨满的灵魂伪装成一匹马。据透露,萨满的手鼓上覆盖着这只有蹄类动物的皮肤,象征着卡姆在他的神秘之旅中所乘坐的那座山。这表明,萨满在仪式上使用手鼓之前,它的复兴和引入仪式领域的神圣行为。人们确定,在手鼓上描绘马和骑兵是一种习惯,他们是萨满的精神助手的化身,在他的仪式实践中起着重要作用。值得强调的是,马的象征是在萨满杖上以原瘤的形式发现的。在萨满教的仪式中,它被认为是一匹神秘的骏马。据透露,萨满服饰中还包括与马的形象相关的元素:铃铛、金属摇铃和马毛,它们在萨满仪式的过程中起着辅助作用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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