Visual Identity and Packaging Design for Bécik Bécik

Helena Calista, Brian Alvin Hananto
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引用次数: 1

Abstract

In association with the Indonesian Association of Graphic Designers (ADGI), Kemenparekraf organizes BEDA'KAN (Bedah Desain Kemasan) to encourage the growth of creative economic sectors in Indonesia. Throughout this enlightening activity, the authors had the opportunity to participate and be involved in designing a visual identity and packaging for Micro, Small, and Medium Enterprises (MSMEs) from Bali. Bécik Bécik has engaged in MSME in the craft sector since 1991 and is eager to grow and thrive in local and global markets. This design process is divided into three phases: pre-design, design, and post-design. These three phases guide the project's success in a systematic way to develop a representative brand identity. Hence, the design that can successfully represent the brand is then finalized and implemented in other media to present a powerful character of its identity. 
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视觉识别和包装设计的bsamcik bsamcik
Kemenparekraf与印度尼西亚平面设计师协会(ADGI)合作,组织了BEDA’kan (Bedah Desain Kemasan),以鼓励印度尼西亚创意经济部门的发展。在这个启发性的活动中,作者有机会参与并参与为巴厘岛的微型、小型和中型企业(MSMEs)设计视觉标识和包装。bsamcik bsamcik自1991年以来一直从事工艺领域的MSME,并渴望在当地和全球市场上发展壮大。这个设计过程分为三个阶段:前期设计、前期设计和后期设计。这三个阶段以系统的方式指导项目的成功,以开发具有代表性的品牌标识。因此,能够成功地代表品牌的设计就会被最终确定并在其他媒体上实施,从而呈现出品牌身份的强大特征。
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