A Pintura nas Colagens de Mies Van der Rohe

D. Gomes, M. Veríssimo, Alexandra Moreno Vaz Casimiro, Carlota Lourenço Figueira Matos Morais
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Abstract

A lot has been written about the architectural production of Ludwig Mies van der Rohe, German architect naturalized American that built some of the most relevant pieces of architecture of the XX century. Mies produced an extensive amount of collages, today archived in the MoMA - Museum of Modern Art in New York, that unveil an accurate aesthetic of architectural representation. The principal investigation about this set of collages of Mies can be found in the book Montage Collage of Andreas F. Beitin, Wolf Eiermann e Brigitte Franzen, that constituted the catalog of the exhibition Mies van der Rohe: The collages of the Museum of Modern Art in New York, presented on October 28 of 2016, in the Ludwig Forum in Aachen, Germany. In time, they all made an undeniable contribution to start a debate on this subject. However, in this article we focus on a crucial element of the composition that has not been sufficiently studied:  the works of Art.
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密斯·凡·德罗拼贴画中的绘画
关于路德维希·密斯·凡·德罗的建筑作品已经写了很多,这位德国建筑师归化为美国人,建造了一些20世纪最相关的建筑作品。密斯创作了大量的拼贴画,如今收藏在纽约现代艺术博物馆(MoMA),揭示了建筑表现的精确美学。关于这组密斯拼贴画的主要调查可以在Andreas F. Beitin, Wolf Eiermann和Brigitte Franzen的《蒙太奇拼贴》一书中找到,这本书构成了2016年10月28日在德国亚琛路德维希论坛上展出的“密斯·凡·德·罗:纽约现代艺术博物馆的拼贴画”展览的目录。随着时间的推移,他们都做出了不可否认的贡献,开始了对这个问题的辩论。然而,在本文中,我们关注的是尚未得到充分研究的构成的一个关键元素:艺术作品。
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