“Three Epochs” of the Creation of Nikolai Gogol’s Article on Russian Poetry. To the 175th Anniversary of “Selected Passages from Correspondence with Friends”

I. Vinogradov
{"title":"“Three Epochs” of the Creation of Nikolai Gogol’s Article on Russian Poetry. To the 175th Anniversary of “Selected Passages from Correspondence with Friends”","authors":"I. Vinogradov","doi":"10.22455/2686-7494-2022-4-1-6-57","DOIUrl":null,"url":null,"abstract":"The creative history of N. V. Gogol’s article “What is Finally the Essence of Russian Poetry and Its Peculiarity,” the most voluminous chapter of his book “Selected Passages from Correspondence with Friends” (1847), and its relation to the poem “Dead Souls” are studied. Three long stages of Gogol’s work on the article, which ended with the burning of manuscripts, and the fourth, which ended with its publication, reveal a close connection with the content of the poem. Evidence of simultaneous maturation of the ideas of the article and the poem in the 1830s is summarized. It is proved that the article was prepared by Gogol for P. A. Pletnev’s journal “Sovremennik.” Unknown data on the second stage of work on the article in 1841–1842 are introduced into scientific circulation, the expansion of concept of the article at the third stage in 1843–1845, which led to its inclusion in the book of letters to friends in 1846, is traced. It is emphasized that, created over more than ten years, the article contains the final reflections of the writer on the importance of literature in the public and state life of Russia and is an irreplaceable auto-commentary to “Dead Souls.”","PeriodicalId":359000,"journal":{"name":"Two centuries of the Russian classics","volume":"290 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Two centuries of the Russian classics","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.22455/2686-7494-2022-4-1-6-57","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1

Abstract

The creative history of N. V. Gogol’s article “What is Finally the Essence of Russian Poetry and Its Peculiarity,” the most voluminous chapter of his book “Selected Passages from Correspondence with Friends” (1847), and its relation to the poem “Dead Souls” are studied. Three long stages of Gogol’s work on the article, which ended with the burning of manuscripts, and the fourth, which ended with its publication, reveal a close connection with the content of the poem. Evidence of simultaneous maturation of the ideas of the article and the poem in the 1830s is summarized. It is proved that the article was prepared by Gogol for P. A. Pletnev’s journal “Sovremennik.” Unknown data on the second stage of work on the article in 1841–1842 are introduced into scientific circulation, the expansion of concept of the article at the third stage in 1843–1845, which led to its inclusion in the book of letters to friends in 1846, is traced. It is emphasized that, created over more than ten years, the article contains the final reflections of the writer on the importance of literature in the public and state life of Russia and is an irreplaceable auto-commentary to “Dead Souls.”
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
果戈理《俄国诗歌论》创作的“三个时期”。致《与朋友通信文选》出版175周年
本文研究了果戈理《俄国诗歌的最终本质及其独特性》这篇文章的创作历程及其与《死魂》这首诗的关系,这篇文章是果戈理《与朋友的书信选集》(1847)中最长篇的一章。果戈理对这篇文章的研究经历了三个漫长的阶段,最后是手稿被焚毁,最后是第四阶段,最后是这篇文章的发表,这三个阶段揭示了它与这首诗的内容有着密切的联系。总结了19世纪30年代文章和诗歌思想同时成熟的证据。事实证明,这篇文章是果戈理为普列特涅夫的《当代》杂志所写。文章在1841-1842年的第二阶段工作的未知数据被引入科学流通,文章的概念在1843-1845年的第三阶段的扩展,导致它被列入1846年的《给朋友的信》。文章强调,这篇历时十余年的文章包含了作者对文学在俄罗斯公共和国家生活中的重要性的最后反思,是对《死魂》不可替代的自动注释。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 去求助
来源期刊
CiteScore
0.30
自引率
0.00%
发文量
0
期刊最新文献
From the history of the memoir publications of Pavel Annenkov about Ivan Turgenev in “Vestnik Evropy” (Herald of Europe) The image of the earth as one of the epic foundations of the artistic worlds of Leo Tolstoy’s novels “My confessions have no moral purpose” (“My Confession” by Nikolay Karamzin) Records in merchants’ commercial books: evolution of the autobiographical genre in the manuscript culture in the 18th — the early 19th century The ideal of the popular monarchy in Russian literature of the second half of the 19th — the early 20th centuries
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1