Versification in Cervantes’s Drama

Kathleen Jeffs
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Abstract

With the overwhelming success of Don Quixote, many writers were as damning of his poetic verses as they were praising of the famous novel. However, students of Cervantine writing and its idiosyncrasies identify a wealth of ingenuity in his verse writing, including in poems and theatrical works. This chapter focuses on the use of polymetric verse in Cervantes’s drama, exploring its different uses and meanings in comparison with other writer, principally Lope de Vega, and demonstrating that it is much more sophisticated than it has been given credit for over the centuries.
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塞万提斯戏剧中的诗化
随着《堂吉诃德》的巨大成功,许多作家在赞扬这部著名小说的同时,也对他的诗歌进行了诅咒。然而,塞万提斯写作及其特质的学生在他的诗歌写作中发现了丰富的独创性,包括在诗歌和戏剧作品中。这一章的重点是多韵诗在塞万提斯戏剧中的运用,探索它与其他作家的不同用法和意义,主要是洛佩·德·维加,并证明它比几个世纪以来人们所认为的要复杂得多。
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Cervantine Poetry Windmills of Reality, Giants of the Imagination Cervantine Criticism since 2000 and into the Future Attributions and Lost and Promised Works ‘para empresas más altas y de mayor importancia’
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