On organising multimedia performance corpora for musicological study using Linked Data

Terhi Nurmikko-Fuller, David M. Weigl, Kevin R. Page
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引用次数: 3

Abstract

The wide availability of digital technologies has increased the quantity and diversity of information that can be collected from and about a musical performance. Making this data easily accessible for study by musicologists requires the development of supporting methodologies and tools to assist and automate its systematic cataloguing, archiving, and investigation. We report on the curation of a rich digital multimedia dataset captured from a complete performance of Richard Wagner's Ring Cycle, supplemented by observations annotated by a musicologist during the course of the event. We describe the application of ontologies to codify the physical and temporal relationships between the events, artefacts, and their creators or annotators; and the method and tools to publish these performance corpora as Linked Data hyperstructures abiding by this schema. Finally we discuss the implications for hosting this data within a Digital Library infrastructure and how it can be used to support musicological investigation.
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利用关联数据组织音乐学研究的多媒体表演语料库
数字技术的广泛使用增加了从音乐表演中收集到的信息的数量和多样性。要使这些数据便于音乐学家的研究,需要开发支持方法和工具,以协助和自动化其系统编目、存档和调查。我们报告了一个丰富的数字多媒体数据集的管理,这些数据集是从理查德·瓦格纳的《环循环》的完整演出中捕获的,并辅以一位音乐学家在演出过程中注释的观察结果。我们描述了本体的应用,以编纂事件、人工制品及其创建者或注释者之间的物理和时间关系;以及将这些性能语料库发布为遵循此模式的关联数据超结构的方法和工具。最后,我们讨论了在数字图书馆基础设施中托管这些数据的含义,以及如何使用这些数据来支持音乐学调查。
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