“Metaphor in Selected Poems by Yahia Lababidi”

Iman Farouk Mohamed El Bakary
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Abstract

This study examines the extensive use of metaphor in the poetry collection entitled Balancing Acts (2016) by Yahia Lababidi (1973), Egyptian Lebanese American poet, philosopher and aphorist . Lababidi’s use of metaphors seems to be the key to his poetry. In Balancing Acts, the poet’s obsession with Egypt is revealed. Besides, his poems express the dilemma of an immigrant poet experiencing a split identity, homesickness, a conflict between selfexpression and self-suppression, and the struggle between an ideal, spiritual existence and the reality of life in the US. While referring to Lakoff’s and Johnson’s definition of conceptual metaphor, this study will also allude to Martin Gannon’s notion of cultural metaphor, Michael Kimmel’s views about metaphor clusters, Zoltan Kövecses’ emotion concepts (2014), as well as Edward Buzila’s evaluation of the power of metaphor. Significantly, Lababidi’s use of metaphor will be analyzed in terms of Tina Krennmayr’s “bottom-up approach” in such a way as to focus on Lababidi’s cultural and universal metaphors in his attempt to reach out to his fellow humans.
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《叶海亚·拉巴比迪诗歌选集中的隐喻》
本研究考察了埃及裔黎巴嫩裔美国诗人、哲学家和格言家叶海亚·拉比迪(1973年)的诗集《平衡行为》(2016)中隐喻的广泛使用。拉比迪对隐喻的运用似乎是他诗歌的关键。在《平衡行为》中,诗人对埃及的痴迷显露无遗。此外,他的诗歌还表达了一个移民诗人在美国经历的身份分裂、思乡、自我表达与自我压抑的冲突以及理想、精神存在与现实生活的斗争的困境。在参考Lakoff和Johnson对概念隐喻的定义的同时,本研究还将参考Martin Gannon的文化隐喻概念、Michael Kimmel关于隐喻集群的观点、Zoltan Kövecses的情感概念(2014)以及Edward Buzila对隐喻力量的评价。值得注意的是,我们将根据Tina Krennmayr的“自下而上的方法”来分析Lababidi对隐喻的使用,从而将重点放在Lababidi试图与人类同胞接触的文化和普遍隐喻上。
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