{"title":"EKSIBISIONISME FILM RIDING THE LIGHTS","authors":"Annisa Rachmatika Sari, Matius Ali","doi":"10.24821/rekam.v14i1.2135","DOIUrl":null,"url":null,"abstract":"Tulisan ini menelaah bentuk eksibisionisme film Riding The Lights berupa konstruksi sinematik yang melakukan penyesuaian diri pada kategorisasi akal. Dalam proses tersebut, terjadi peristiwa film yang memberi cerapan inderawi. Hal ini bertujuan untuk membangun kesadaran penonton atas wujud objek. Adapun konsep perhatian Münsterberg digunakan untukmenemukan bentuk eksibisionisme dalam film Riding The Lights. Konsep perhatian berada dalam teori Photoplay yang menganggap bahwa proses mental disebabkan oleh penyesuaian diri yang dilakukan oleh film pada struktur dasar berpikir penonton. Pada teori psikologi film ini, konsep perhatian ditempatkan sebagai salah satu proses mental ketika menyaksikan film, yakni sebuah fase ketika mata penonton menerima cerapan inderawi secara tidak sadar. Hasil telaah menunjukkan bahwa bentuk eksibisionisme dalam film Riding The Lights mengarahkan penonton pada tokoh wanita berbaju hijau.AbstractExhibitionism in the Film of ‘Riding the Lights’. This paper examines the form of film exhibitionism in Riding The Lights, in the form of cinematic constructions that made adjustments to the categorization of reason. In that process, there was a moment that the film gave a sensational perception. It aimed to build the audience’s awareness of the object’s form. As for the concept of Münsterberg’s attention was used to discover the form of exhibitionism in the film of Riding The Lights. The concept of attention lied in the theory of Photoplay, which assumes that mental processes are caused by the adjustment carried by the film on the basic structure of audiences’ thoughts. In the theory of psychology of this film, the concept of attention was placed as one of the mental processes when watching the show, which became a phase when the eyes of the audience received sensational perception unconsciously. The results of the study showed that the form of exhibitionism in the film of Riding The Lights ledthe audience to the figure of women in green.","PeriodicalId":175271,"journal":{"name":"REKAM: Jurnal Fotografi, Televisi, dan Animasi","volume":"44 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-08-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"REKAM: Jurnal Fotografi, Televisi, dan Animasi","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.24821/rekam.v14i1.2135","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1
Abstract
Tulisan ini menelaah bentuk eksibisionisme film Riding The Lights berupa konstruksi sinematik yang melakukan penyesuaian diri pada kategorisasi akal. Dalam proses tersebut, terjadi peristiwa film yang memberi cerapan inderawi. Hal ini bertujuan untuk membangun kesadaran penonton atas wujud objek. Adapun konsep perhatian Münsterberg digunakan untukmenemukan bentuk eksibisionisme dalam film Riding The Lights. Konsep perhatian berada dalam teori Photoplay yang menganggap bahwa proses mental disebabkan oleh penyesuaian diri yang dilakukan oleh film pada struktur dasar berpikir penonton. Pada teori psikologi film ini, konsep perhatian ditempatkan sebagai salah satu proses mental ketika menyaksikan film, yakni sebuah fase ketika mata penonton menerima cerapan inderawi secara tidak sadar. Hasil telaah menunjukkan bahwa bentuk eksibisionisme dalam film Riding The Lights mengarahkan penonton pada tokoh wanita berbaju hijau.AbstractExhibitionism in the Film of ‘Riding the Lights’. This paper examines the form of film exhibitionism in Riding The Lights, in the form of cinematic constructions that made adjustments to the categorization of reason. In that process, there was a moment that the film gave a sensational perception. It aimed to build the audience’s awareness of the object’s form. As for the concept of Münsterberg’s attention was used to discover the form of exhibitionism in the film of Riding The Lights. The concept of attention lied in the theory of Photoplay, which assumes that mental processes are caused by the adjustment carried by the film on the basic structure of audiences’ thoughts. In the theory of psychology of this film, the concept of attention was placed as one of the mental processes when watching the show, which became a phase when the eyes of the audience received sensational perception unconsciously. The results of the study showed that the form of exhibitionism in the film of Riding The Lights ledthe audience to the figure of women in green.
这篇文章研究了电影《光之城》的显要主义形式,它是一部电影结构,对理性进行了自我调整。在这个过程中,发生了一件让人感觉敏锐的电影事件。它的目的是建立观众对物体存在的意识。至于蒙斯特伯格的注意力概念,它被用来在电影《骑士之光》中发现一种展览形式。注意力的概念是照相法理论认为,心理过程是由电影在观众的基本思维结构中所进行的调整引起的。在这部电影的心理学理论中,注意力的概念被认为是看电影时的精神过程之一,即观众的眼睛在不知不觉中受到感官感知的一个阶段。研究结果表明,电影《骑士之光》中表现主义的形式引导观众走向这位穿绿色衣服的女性。《灯火论》中的抽象主义。这篇论文展示了电影在灯光中的表现,在电影构造的形式中,这些改变了对理性的分析。在这个过程中,有一段时间电影给了我超感知觉。它有助于建立观众对事物形式的意识。据了解,芒斯特伯格(Munsterberg)的注意力被用来在电影《骑士之光》(the Riding of the Lights)中发现表现形式。在照相的理论中存在着注意力的概念,这种心理上的缺陷被《听众思想的基本结构》所掩盖。在这部电影的心理学理论中,注意力的概念被描绘成观看演出时的心理反应,这是一种画面,当时观众的目光被一种无意识的感觉所激发。研究的结果表明,电影中引入灯光的是观众对绿色人物的展示。