Robert Altman

D. Sterritt
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Abstract

Robert Altman helped define New Hollywood cinema with the dark comedy film MASH in 1970 and helped close out the era with the surreal 3 Women in 1977. But Altman was an unlikely New Hollywood icon; New Hollywood auteurs were supposed to be young movie brats straight from film school, whereas Altman was a forty-something autodidact who had learned his craft making industrial and educational pictures. This chapter focuses on three of Altman’s most important and influential films: the 1971 western McCabe & Mrs. Miller, which builds extraordinary emotional power while radically revising both the myth of the frontier and a key Hollywood genre; the 1975 musical Nashville, a large-canvas portrait of modern-day American politics, patriotism, popular culture, and celebrity; and the oneiric 3 Women, a small-canvas dreamscape that marks the outer limits of New Hollywood iconoclasm.
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罗伯特奥特曼
罗伯特·奥特曼以1970年的黑色喜剧电影《MASH》帮助定义了新好莱坞电影,并以1977年的超现实主义电影《3个女人》帮助结束了这个时代。但奥特曼不太可能是新好莱坞的偶像;新的好莱坞导演被认为是直接从电影学校毕业的年轻电影小子,而奥特曼是一个四十多岁的自学成才的人,他通过拍摄工业和教育电影学会了自己的手艺。本章重点介绍奥特曼最重要和最有影响力的三部电影:1971年的西部片《麦凯布和米勒夫人》,这部电影在彻底改变边疆神话和好莱坞关键类型的同时,建立了非凡的情感力量;1975年的音乐剧《纳什维尔》(Nashville)是一部描绘现代美国政治、爱国主义、流行文化和名人的巨作;还有梦幻般的《3个女人》(3 Women),这是一幅小画布的梦幻风景画,标志着新好莱坞反传统主义的外部界限。
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