METALOGUE. Conversing across Student and Teacher, Human and Inhuman Relations

T. Keogh, H. Frichot
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Abstract

Abstract This experimental piece of writing explores how a metalogue can open a space of conversation expressed across student and teacher, human and inhuman relations. Drawing on the metalogues between father and daughter in Gregory Bateson’s Steps to an Ecology of Mind, the performance of this metalogue seeks to disrupt habitual power relations and mix conceptual with material expression. Of central concern are the ways in which both materials and concepts are extracted for use in built environment industries and industries of higher education, begging the question of how to work ethically within material and educational industries. The metalogue performs unruly interruptions and contradictions of voices, following a flow of materials both conceptual and concrete to grapple with pressing environmental imbroglios. The structure of the metalogue is necessarily open-ended, avoiding specific recommendations or answers to problems, instead fostering a glimmering understanding of how entangled we are amid environmental relations.
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METALOGUE。跨越学生与老师,人类与非人关系的对话
这篇实验性的文章探讨了元喻如何打开一个对话的空间,在学生和老师之间,在人类和非人的关系之间表达。借鉴格雷戈里·贝特森的《走向心灵生态》中父女关系的元喻,这种元喻的表现试图打破习惯性的权力关系,将概念表达与物质表达混合起来。人们最关心的是材料和概念是如何被提取出来用于建筑环境行业和高等教育行业的,这就引出了如何在材料和教育行业中合乎道德地工作的问题。元曲表现出难以控制的中断和声音的矛盾,随着概念和具体材料的流动,与紧迫的环境问题作斗争。元论的结构必然是开放式的,避免了对问题的具体建议或答案,而是培养了对我们在环境关系中是如何纠缠在一起的一种隐约的理解。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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