Didactic Visual Narrations in Nepali Manuscript Illuminations

Y. Sharma
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Abstract

Manuscript illuminations are the early forms of traditional Nepali paintings. Manuscript illuminations are the miniature paintings found in the manuscripts, the handwritten religious texts and treaties on ethics. Such paintings tell the mythical stories in visual form. Some manuscript illuminations present the characters and events in such a way that they tell moral stories using visual medium. Sometimes, the contents appear in the form of fable. The animals are personified, for they act and behave like a human being. In some cases, the visual narration is allegorical in the sense that one set of characters, setting and events stand for other characters, place and activities. Although some characters are animals and supernatural beings, they reflect on this world, human beings and objects in the world. Such paintings explore real world, human experiences and moral values through strange, unusual and de-autometized art forms. The paintings attempt to create moral order in the then contemporary society. This article traces such issues and themes in narrative paintings found in manuscripts like Vishnudharma, Shivadharma, Devimahatmya, Pancaraksa, VesantaraJataka and Hitopadesa.
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尼泊尔文手抄本插图中的教学视觉叙述
手稿彩绘是尼泊尔传统绘画的早期形式。手稿插图是在手稿、手写的宗教文本和伦理条约中发现的微型绘画。这些画以视觉的形式讲述神话故事。一些手稿插图以这样一种方式呈现人物和事件,即使用视觉媒介讲述道德故事。有时,内容以寓言的形式出现。动物是拟人化的,因为它们的行为举止像人一样。在某些情况下,视觉叙事具有讽喻性,因为一组人物、背景和事件代表其他人物、地点和活动。虽然有些人物是动物和超自然的存在,但他们反映了这个世界,人类和世界上的物体。这些绘画通过奇怪的、不寻常的、去自动化的艺术形式来探索现实世界、人类经历和道德价值观。这些画试图在当时的当代社会创造道德秩序。本文在《毗瑟奴达玛》、《湿婆达玛》、《Devimahatmya》、《Pancaraksa》、《VesantaraJataka》和《Hitopadesa》等手稿中发现的叙事绘画中追踪了这些问题和主题。
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