Water, Sustainability and Poetics in the Works of the cAt Group

M. Sogabe, Bárbara Milano, Caio Netto dos Santos, Cleber Gazana, Danilo Crispim de Alencar, F. Nunes, F. Fogliano, Hermes Renato HIldebrandt, Mirian Steinberg, Roberta Carvalho, Rodrigo Dorta Marques, Soraya Braz, Tiago Rubini
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Abstract

The article discusses art-technology productions related to concepts such as the Anthropocene, Chthulecene and Plantationocene. More specifically, it regards artworks related to sustainability, the use of water and alternative energy. In this sense some artworks from a number of artists are analyzed in the text, discussing the presence of water as a poetic element in the History of Art, to then think about water in the context of sustainability. More importantly, the paper talks about the cAt (science, Art, technology) group working with water in its solid, liquid and gaseous states as poetic forms, respectively, in each of the group’s artworks presented below. The pieces “Sopro”, “Toque” and “Gesto” were idealized as minimalist ways with which the public can interact using common abilities of the human body to generate electric energy. These artworks’ systems are simple, displayed inside transparent structures and do not require computers or electric energy delivered from regular and commercial sources.
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cAt组作品中的水、可持续性和诗学
本文讨论了与人类世、chthulene和planationocene等概念相关的艺术技术作品。更具体地说,它关注的是与可持续性、水的使用和替代能源相关的艺术品。从这个意义上说,一些艺术家的作品在文本中被分析,讨论了水作为艺术史中诗意元素的存在,然后在可持续性的背景下思考水。更重要的是,这篇论文讨论了cAt(科学、艺术、技术)小组在他们的每一幅作品中分别以固态、液态和气态的水作为诗意的形式。作品“Sopro”,“Toque”和“Gesto”被理想化为极简主义的方式,公众可以利用人体的共同能力来产生电能。这些艺术品的系统很简单,展示在透明的结构中,不需要电脑或从常规和商业来源提供的电能。
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