Corporealities to the limit

Diana Coca
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Abstract

I propose a theoretical-practical approach to the presentation and representation of the female body in artistic creation. That is, the use of the body as a space at the limit, liminal, of danger and transgression, with the consequent potentially re-signifying effects of territory and common space through art. This narration is accompanied by the dissection of the creative process in phases and its final product, where I start from my own body, as testimony, meeting place, object and subject, studying its relationship with the context in an act of defiance to patriarchal authority. In this sense, we could relate it to the de-hierarchisation and proximity to others, in an unregulated but vital encounter of desiring, non-docile subjectivities, which eroticize politics with their irruption into the public sphere, with the intention of living, creating, loving, inventing another society, another perception of the world and other value systems.
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我对女性身体在艺术创作中的呈现和再现提出了一种理论-实践的方法。也就是说,将身体用作危险和越界的极限空间,从而通过艺术潜在地重新表示领土和公共空间的影响。这种叙述伴随着对创作过程的分阶段和最终产物的剖析,我从自己的身体出发,作为证言、聚会场所、客体和主体,在一种对父权权威的反抗中,研究它与语境的关系。从这个意义上说,我们可以将其与去等级化和与他人的接近联系起来,在欲望、不驯服的主体性的不受管制但至关重要的遭遇中,这些主体性通过侵入公共领域来色情化政治,意图生活、创造、爱、发明另一个社会、另一种对世界和其他价值体系的看法。
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