What, After All, Is Margolis’ Problem With Weitz’ Definition of Art?

Aili Whalen
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Abstract

This article analyzes Joseph Margolis’ criticism of Morris Weitz’ definition of art with an eye to sorting out where, precisely, their differences lie. In particular, it focuses on their differing ideas of what an “open” and “closed” definition of art amounts to and what sort of entity art is. It concludes with the suggestion that differences in metaphysical worldview, rather than differences in how they view what kinds of entities should count as art, account for the discrepancy in their views.
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毕竟,马戈利斯对韦茨艺术定义的质疑是什么?
本文分析了约瑟夫·马戈利斯对莫里斯·韦茨对艺术的定义的批评,并试图找出他们的不同之处。它特别关注他们对艺术的“开放”和“封闭”定义的不同看法,以及艺术是什么样的实体。它的结论是,形而上学世界观的差异,而不是他们如何看待哪种实体应该被视为艺术的差异,解释了他们观点的差异。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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A Note on Mr. Margolis and the Definition of Dance The Legacy of Joseph Margolis Margolis on Defining Art On the Meanings and Implications of Joseph Margolis' Definition of Art Waitsu shi to geijutsu no teigi
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